Word: limpidness
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McPhee, however, has accomplished quite a trick: he has gotten himself so perfectly attuned to his audience that he can write the way he does without beginning to grate. Part of it is that he is an extraordinarily meticulous writer, able to achieve an effortless, limpid tone without leaving any loose sentence ends, or losing the thread of his story, or using words that do not belong exactly where they are. His articles seem to convey information almost by accident and to flow along without any forethought, McPhee having just sat down and written out his impressions of something...
...five surviving full-length works (including Sleeping Beauty and Swan Lake) of the 60 or so ballets created by the great Marius Petipa principally for St. Petersburg's Maryinsky Theater. The choreography ranks with Petipa's most inventive, and the score by Alexander Glazunov is both limpid and melodious...
Isabelle's face is mirror clear, a pale oval with limpid blue eyes and the mien of a Corot model. Her simplicity suggests genius: a fleeting idea or nuance of feeling sets her trembling; she offers intimations of grand passions, great dreams and intense drama. Ever since she was a schoolgirl in the Paris suburb of Gennevilliers, people have wanted to make her a star. At 17 she was made one of the youngest members in France's oldest acting ensemble, the Comédie Française. In her first season, she played Agnes in The School...
...plot, which matters least of all, has to do with Fanny Brice's later years after her separation from Nicky Arnstein, who did her so bad in the original. Omar Sharif, forever limpid, shows up again as the ne'er-do-well gambler who tries to tempt Fanny away from Billy, but she rejects him. The ending is an occasion for a few tears and a little heartbreak; we well know from all the funny ladies of movie history that happiness does not come with success. Only producers might think otherwise, and they keep it to themselves...
...dual role of Odette-Odile in Swan Lake is one of ballet's supreme challenges, and there are many women who meet it with grace and liquid beauty. Plisetskaya, though, is unique. In the limpid forest glade scenes of Act II, most good dancers prettily suggest a girl imitating a swan. In a breathtaking act of theatrical magic, Plisetskaya somehow becomes a lovely humanoid swan giving a passable imitation of a shy maiden. This remarkable ballerina is now 48, and her short, chunky legs have clearly lost some of their spring. But Plisetskaya's legs seem almost secondary...