Word: limpidness
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Impressed, Gutman proposed the score as leavening for Newport's predominantly romantic fare. It proved a charming, simple musical translation of Wilde's fable, a transparently written score for a vocal ensemble of children and grownups whose occasional peppery dissonances failed to diminish the limpid simplicity of its lyric lines. Like many of Williamson's works, it suggested the composer's varied background...
...grew up with him back when cats were hep instead of hip. The tunes were such period favorites as Don't Be That Way and Stompin' at the Savoy. Goodman's clarinet sound, although it missed some of the fiery flow of earlier years, was as limpid and nimbly melodic as ever...
Human Saint. Luther defies easy characterization, however, since his life and work add up to a complex of paradoxes. An authentic spiritual revolutionary, he was at the same time a social and political conservative, wedded to the ideals of feudal society. A limpid preacher of God's majesty and transcendence, he was capable of a four-letter grossness of language. He was the archetype of individual Christian assertion; yet he could be brutally intolerant of dissent, and acquiesced in the suppression of those he considered heretics. Prayerful and beer-loving, sensual and austere, he was the least saintly...
...woman. I can grovel before the original of this superb, unabashed sexual woman without a qualm. I ask only to bring the beauty of her limpid prose before the English-speaking world. Though if the reader will permit, I have stopped somewhat this side of abject enslavement. I ask only to bare this woman's essence to the world. We must know who she is. Why has she kept herself in secret? She must be a lovely creature to know so much of the whip...
MENDELSSOHN: ELIJAH (Angel). In a superb recording, Sir Malcolm Sargent conducts the Royal Society Orchestra in highlights only, but the cuts are not really missed: Sir Malcolm wisely opts for the graceful Mendelssohnian airs; Soprano Elizabeth Harwood gives a limpid account of "Hear ye. Israel"; John Shirley-Quick delivers "Is not his word like a fire" in an opulent basso style. The only low points, in fact, are the hammer-heavy choruses, which remind the listener that this florid form was not really suited to the urbane Mendelssohn, and that when he essayed heroism he often made only noise...