Word: limpidness
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...kind of realism was expository, not didactic. It did not aim to show things as they might be-the argument of political art - but as they actually were. Its model, often invoked by Flaubert, was the objective procedure of scientific thought, and its aim was to produce a perfectly limpid art in which the world would be mirrored. There is everything in common between the relentless detail in which the boredom and pointlessness of Emma Bovary's life was built up, and the minutely articulated jumble of reflections behind the blank-faced nana in Manet...
...sharp-edged, objective interpretations, free of flourishes and exaggerations even in the most romantic repertory. Some listeners consequently miss a certain warmth and spontaneity in his playing. Although capable of producing beautiful sonorities, he is admittedly not the poet or colorist that, say, Vladimir Ashkenazy is. Nor, despite his limpid, shapely way with Mozart and Beethoven, does he share the Austro-German classical tradition of an Alfred Brendel. Yet everything he does arises from such a deep, individualized conception, and is brought off with such musicality and unforced virtuosity, that it carries its own commanding authority...
...good guys (Springsteen, Dylan, the Who) win; the bad guys (from Black Sabbath and the Tubes to Mac Davis and Kenny Rogers) are pumped full of holes. The contributors may be quick to shoot from the hip, but they score a fair share of bull's-eyes. "Limpid 'adult bubblegum' rockers" seems about right for Crosby, Stills and Nash, while Marsh gives fast, passionate rundowns on Elvis or a great band like Creedence Clearwater Revival...
...best vocally or dramatically. Pavarotti came through splendidly. Playing a 17th century nobleman who is enmeshed in a conflict with the Venetian Inquisition, he made bold entrances in full cry. His spacious second-act aria, Cielo e mar, which used to serve Caruso well, was traced in long, limpid lines that glowed with emotion. ins voice soared out of the big ensembles, seeming to carry the chorus into the air with him. At the curtain, Scotto took a single bow, then retired to her dressing room. Pavarotti came out with the other principals time after time, spreading his stevedore arms...
...resembles an apprehensive boy caught with spilled jam. However, he grows in authority as his kingship dwindles and seems most regal when his deeds are most evil. The cast does good ensemble work, and in the role of Macduff, Stephen Russell displays a riveting stillness of presence and a limpid delivery of the Shakespearean line that mark him for further distinction...