Word: limpness
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...Barnaby's own image, "They haven't jelled yet." Ward has tremendous endurance and speed. Paschal has a good reach and knows the right shot for the right moment. But neither will consistently play his best match. "I like to see a man come out of the court limp," says Barnaby. Ward comes out sometimes looking like he could play two more matches...
...carousel and lances fiercely at the ring with a pudgy forefinger; he jangles vacant-eyed through a miniature scenic railway, slings a sledge as big as himself, whomps the nickel rockets grimly at the wooden milk bottles till they topple at last, and the victor's laurel-a limp paper lei-descends on his brow, and falls around his neck...
Arriving by Retiring. The son of a tobacco planter, Cossio was raised in a hamlet near Spain's north coast. A childhood accident left him with a permanent limp. At 16 he went to Madrid to study art; at 25 he was in Paris hobnobbing with Braque. Cubism fascinated him; from it he developed a prismatic quality of composition. But the turmoil of Montmartre was no lasting fun for so indrawn a man, and after nine years he retired to his home town. There he painted in solitude, almost unknown...
...agony of writing: "A hundred pages more, and this cursed book is flung out from me." Some days he had "the strength of 20,000 cockneys"; on others he was "sunk as in tropical oppression" with a "base, underhand desire to lie down in everlasting leaden sleep." Sometimes the limp writing hand he held out for Jane Carlyle to pat was only slapped, and Carlyle would whimper, "You are not good to me just now." But more often she fought the literary battle out at his side, freely giving the encouragement he needed...
...muted greens, reds and violets, Goya shows himself in bed, head back, limp hands feebly clutching the bed sheets. His eyes are puffy, his thin, greying hair mussed and damp with fever. Behind him sits the calm doctor, supporting his patient with a strong left arm, gently urging him to drink a tumbler of medicine. There are three figures in Goya's darkened background: a priest, a woman (possibly Goya's cousin and housekeeper, Leocadia Weiss), and a mysterious, gaping head which may be Goya's symbol for death...