Word: limps
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...cause of the jet's breakup abounded, investigators from India, the U.S., Canada and Ireland had nothing conclusive to report by week's end about the third-worst airline disaster in history.* Bits and pieces of the wreckage plucked from the sea were sometimes heartbreaking: a red slipper, a limp rag doll, a waterlogged Teddy bear. Irish and British naval vessels and helicopters fanned out over a 5-sq.-mi. area. They retrieved 131 bodies, and by week's end the bulk of the wreckage had been located...
...need to blame family tensions on Canada's ethnic problems. "She told each of her five daughters as they grew up that they were conceived in horror; that she could have left them in their hospital cots and not looked back, so sickened was she by their limp spines and the autumn smell of their hair, by their froglike movements and their animal wails...
...greatest play, The Glass Menagerie, Williams portrayed his mother, clinging to outworn social "standards" to validate her life, and his withdrawn sister Rose, her madness and eventual lobotomy transmuted onstage into shyness and a limp. His own surrogate alternated between cries of self- justification and outpourings of guilt. In A Streetcar Named Desire, Williams depicted the brute half of himself, Stanley Kowalski, destroying the fragile, distracted half, Blanche DuBois...
...Hulkster. Billy Crystal got away with it on Saturday Night Live, but Richard Belzer, the pencil-armed host of cable TV's Hot Properties, was not so lucky. Four days before WrestleMania, Hogan was demonstrating a front chin-lock on Belzer, who went limp and fell unconscious to the floor. When he rose, a pool of blood had formed under his head; the comic required eight stitches. John Stossel, a reporter for the ABC newsmagazine 20/20, got a rounder basting when he told David ("Dr. D") Schultz, "You know, I think this is fake." His integrity impugned, the humongous...
...world in recession. Rome in 1592 had a great past but a mincing present. The accepted style was a filleted if showy kind of late mannerism, turned out by the frescoed acre by artists like Caravaggio's early master Giuseppe Cesari, alias the Cavaliere d'Arpino. Limp, garrulous, overconceptualized and feverishly second hand, Roman art in 1590 was in some ways like New York art four centuries later. Against its pedantry--the seicento equivalent, perhaps, of our "postmodern" cult of irony--Caravaggio's work proposed a return to the concrete, the tangible, the vernacular and the sincere...