Search Details

Word: limps (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...anything else technical. But how much can you root for this show? It's just not enough fun or makeshift enough to put you on the side of the creators. On a professional scale--you can forget about bombing in New Haven--this show would be lucky to limp out of Bridgeport without a lynching. It's a conceit, and that's all right, but whose conceit is it? The question of what constituency the Pudding and its scripts represent seems to have come late in Cardinal Knowledge when an innocent cast member dared to drop a line that even...

Author: By Peter Kaplan, | Title: A Canine in a Cummerbund | 2/28/1977 | See Source »

With that, the warden made a slight motion with his left hand, and a rifle volley shattered the silence. "Bang! Bang! Bang! Three noises," Witness Schiller reported later. Actually, four bullets tore into Gilmore's heart, twisting his body, which then turned limp. Blood slowly poured out, staining the bullet-pocked chair. Two minutes later, at 8:07 a.m. on Jan. 17, Gary Gilmore was declared dead. He was the first prisoner to be executed in the U.S. since 1967. After a series of unsuccessful appeals that lasted until the very morning of the execution, what the warden called...

Author: /time Magazine | Title: The Law: After Gilmore, Who's Next to Die? | 1/31/1977 | See Source »

Hughes plainly saw Maheu as his alter-ego. Maheu was the magic telephone booth into which Hughes could limp and then spring forth as the long-vanished SuperHughes. He could stride out into the world in the form of Maheu, deal with Presidents, governors, bankers, and Mafia chieftains, whisk himself where he wished in an executive jet, throw big parties without a thought of all the germs the guests harbored...

Author: /time Magazine | Title: The Nation: Scenes from the Hidden Years | 12/13/1976 | See Source »

...fascinating. Director Kerry Konrad has blocked the episodes gracefully, and the crew of bodies (for they are more symbols than individuals) performs with relish and coordination. The multi-headed snake projects a refreshing sense of comic glee while outwitting Eve. Transitions between scenes pose bemusing riddles as the limp, floored torsos of the actors ease into new being. One puzzles over the nature of their metamorphoses, wondering if they are stirring into yawns or anguished gapes; labored breathing or sensual sighs; pained squirming or the muscle-stretching that normally accompanies awakening; farts or animal grunts...

Author: By Anemona Hartocollis, | Title: Seeing is not Believing | 10/23/1976 | See Source »

...think she was putting together a mental list of everything money can buy--a little project to while away the time. And she figured an American should know about luxury. Most country people refused to be taken in, as they saw it, by a thin cotton dress and a limp wallet. After all, you need money to get past that ocean. I would catch this woman scrutinizing me warily and abruptly, waiting for the truth to out about my customary, high falutin' life-style...

Author: By Anemona Hartocollis, | Title: Trapped in Perpetual Transit | 9/27/1976 | See Source »

Previous | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | Next