Word: lincar
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Dates: during 1970-1970
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...barge in Juliet of the Spirits depended for their reality on the emotions and unconscious of Guilietta Massina. Fellini is giving us Rome unchannelled by the characters' perceptions of it. With such free-floating imagery and relatively undefined characters, the thematic line becomes less important than the lincar story line, since it is story-coincidences of time and space-rather than a theme which binds the whole thing together. And there is plenty of story; greasy episode upon greasy episode, all blotting themselves on Fellini's film...
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