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...than the domestic icon expected in her role? With a reassuring sense of symbolism, Clinton overcame most of these suspicions. By now the symbols have abruptly swung in ways that confirm all that was felt about him and worse. It was always silly to say Clinton had stained the Lincoln bedroom by letting supporters into it. But what has he done to that other potent symbol in the White House, with the person he let into the Oval Office...

Author: /time Magazine | Title: Leading by Leaving | 8/31/1998 | See Source »

Garry Wills, who teaches history at Northwestern University, is the author of Lincoln at Gettysburg

Author: /time Magazine | Title: Leading by Leaving | 8/31/1998 | See Source »

Aladdin couldn't have found a more magical carpet than the one painted on the stage of the Vivian Beaumont Theater in Manhattan's Lincoln Center. Rich, rosy and speckled with peacocks, it stretches back for what seems like miles--into the past, into the fantastic topography of Shakespeare's Illyria, into a delicious dreamworld. A last perfect touch: the carpet is flanked by two small pools, suitable for bathing and wallowing, where villains can be dunked and lovers share a kiss. The set is the playgoer's first cue to enchantment; before a word is spoken in this rapturous...

Author: /time Magazine | Title: Theater: Humming the Sets | 8/31/1998 | See Source »

...quotation "I know that there is a God, and I see a storm coming. If he has a place for me, I am ready," which you ascribed to John F. Kennedy [NOTEBOOK, Aug. 3], actually comes from J.G. Holland's Life of Lincoln, published in 1866. Holland claimed that Lincoln, expressing his determination to resist the spread of slavery, told an Illinois educator in the spring of 1860, "I know there is a God, and...I see the storm coming...If he has a place and work for me...I am ready." But William Herndon, Lincoln's law partner...

Author: /time Magazine | Title: Letters: Aug. 24, 1998 | 8/24/1998 | See Source »

Here's the pedigree: this 30-year-old alto saxophonist is an ex-member of the Lincoln Center Jazz Orchestra and a former regular at Small's, the dingy Manhattan club that has become a key incubator of young talent. His playing is plenty soulful on his second CD--so you'd think, given the title--but with a dry, sometimes acerbic tone that gives the album a haunting edge; listeners may be reminded of John Coltrane's way with a ballad or the blues. As a composer, Irby has a gift for melody, and there are so many fine...

Author: /time Magazine | Title: Music: Big Mama's Biscuits | 8/24/1998 | See Source »

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