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After Hurricane Katrina, folklorist Carl Lindahl wondered how he could help survivors from New Orleans. He found his answer while sorting through old clothes at a Houston site for evacuees. As he searched for pants to fit a bone-thin man standing 6-ft. 5, the man told his story: he'd been trapped with a group of elderly without food or water. Every day for four days he swam out a second-story window to a nearby store, dragging supplies back through the polluted waters. Lindahl was transfixed by the man's quiet heroism. And that's when...

Author: /time Magazine | Title: The Next Chapter | 9/26/2008 | See Source »

...Lindahl says the idea came from listening to Library of Congress recordings of survivors of the Dust Bowl, Pearl Harbor and the Sept. 11 attacks. "Really, the best of them were not collected by professionals like myself but by people talking to people who had shared the experience," he says. "Surviving Katrina and Rita in Houston" is the first large-scale project in which survivors have taken the lead in documenting their lives before, during and after a major disaster. So far, more than 30 survivors have collected over 250 stories in English, Spanish, Vietnamese and even Garifuna, a Creole...

Author: /time Magazine | Title: The Next Chapter | 9/26/2008 | See Source »

...tool for many great professional photographers as well as the ultimate dream of so many great - and less great - amateurs. Notwithstanding the often superb quality of its competitors, anybody with a heart for photography has to admit that there was one thing prized above all else: the Leica. Ingemar Lindahl Lidkoping, Sweden...

Author: /time Magazine | Title: You Transformed the Information Age | 1/9/2007 | See Source »

...ultimate tool for many great professional photographers as well as the ultimate dream of so many great--and less great--amateurs. Notwithstanding the often superb quality of its competitors, anybody with a heart for photography has to admit that there was one camera prized above all: the Leica. INGEMAR LINDAHL Lidkoping, Sweden...

Author: /time Magazine | Title: Letters: Jan. 15, 2007 | 1/4/2007 | See Source »

Foster does not see dance, storytelling, or similar forms as unimportant or limited. She highlights the importance of the mode of storytelling to many disciplines, from the law to psychology to journalism. Additionally, she draws clear connections between art and social justice, citing practitioners from Carl Lindahl to Athol Fugard...

Author: By Zoe M. Savitsky, CONTRIBUTING WRITER | Title: Deborah Foster | 3/2/2006 | See Source »

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