Search Details

Word: line (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

Princess. Queen Wilhelmina is the11th of her line to govern The Netherlands...

Author: /time Magazine | Title: THE NETHERLANDS: Worried Queen | 11/27/1939 | See Source »

...House of Nassau can trace its origin to 800, its members settling in the Lowlands from Germany in 1400. The Orange-Nassau line barely missed dying out with Wilhelmina's father, William III. William's first wife and two sons died one after the other. At 62 he married the 20-year-old Princess Emma, of Waldeck-Pyrmont, a small German State. Of that marriage the sole issue was Wilhelmina, born August 31, 1880. Repeal of the Salic Law forbidding female rulers allowed her to succeed to the throne...

Author: /time Magazine | Title: THE NETHERLANDS: Worried Queen | 11/27/1939 | See Source »

Major ripple on the placid surface of Queen Wilhelmina's personal life of late has been the acquisition of a son-in-law in Prince Bernhard zu Lippe-Biesterfeld, whose line has not enjoyed temporal sovereignty in the hilly little Principality of Lippe-Detmold since 1849. Nobody in The Netherlands had ever heard of the Prince before his engagement to Juliana was announced, but all knew that he must fit the proper specifications of a Prince Consort. He must be of royal blood, a Protestant, of flawless character, in perfect health. He was all that, but he also proved...

Author: /time Magazine | Title: THE NETHERLANDS: Worried Queen | 11/27/1939 | See Source »

...first three in short order: Stalin, Daladier, Mussolini. For No. 4, Oscar Levant's candidate was Adolf Schickelgruber. A woman in the audience disagreed.* "Wasn't he, really?" queried Fadiman, glancing owlishly around. "Well," spake John Kieran, beating Fadiman to the evening's punch line, "he is, if he wasn...

Author: /time Magazine | Title: Radio: Shindig | 11/27/1939 | See Source »

...Dictator Josef Stalin cracked down on Russia's noisy modernist composers. He accused them of "bourgeois degeneracy," confiscated their compositions, told them to stop imitating the sound of Soviet steel mills and cement-mixers, get themselves a few singable tunes. Since then, presumably, the party line in musical Russia has been all nightingale and lark. But because the machinery of the Soviet Musical Bureau (which owns all manuscripts, controls all performance rights) needs oil in its joints, not many examples of this New Musical Policy have been heard outside Russia...

Author: /time Magazine | Title: Music: Soviet Overture | 11/27/1939 | See Source »

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