Word: line
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Dates: during 1960-1969
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...field and moved into second place position behind M.I.T.'s Ben Wilson with seven laps to go. Then, with the crowd on its feet, Hardin blasted away from the bespectacled Engineer with a lap and a half remaining, covering the final 440 in 61 seconds and crossing the line with a thirty-yard lead in a time of 8:56.0. Wilson, who had led for twenty of the twenty-two laps, vowed to "devote my life to beating that bearded, sawed-off squirt...
...game proved to be little more than warm-up for tonight's Beanpot final against B.U. at Boston Garden. Terry Flamen, playing his first game after sitting out the first semester, should bolster the Crimson defense, as evidenced by his aggressive play. Flamen replaced George McManama on the defensive line with Chris Gurry, McManama moving up to center of the second line. Gurry, who was hurt during the second period of the Princeton game, is a question mark for tonight's game...
...coming off a strong victory over B.C. last Monday in the opening round of the Beanpot, has split a pair with Harvard, winning 2-1 in January after losing 8-4 early in the season. All-American Herb Wakabayashy centers the first line, which was the highest scoring in the nation two years ago, with Eddie Wright and Serge Boiley. At defense, protecting Goalie Jim McCann, who was last year's Beanpot MVP, are veterans Darrell Abbott and Mickey Gray. Both B.U. coach Jack Kelley and Harvard coach Cooney Weilund feel that tonight's game is even...
Debussy's music provides an iridescent veil which sensitizes each syllable and gesture of the poem. His music illuminates the music from behind. The recitative vocal line partakes of the elastic undulations of the French language in an effort to more naturalistically express character. As he writes, "The feelings of a character cannot be continually expressed in melody. Also, dramatic melody should be totally different from melody in general." Only in a few places, such as Melisande's song at the beginning of Act III and the love duet in Act IV, scene iv, does the melody become genuinely lyrical...
...singing was thoroughly satisfying. Roger Lucas as Pelleas and Barbara Hocher as Melisande were the weakest; Ben Lyon as Golaud was very fine in an extremely taxing role, but Mark Pearson as Arkel was the finest singer of the evening. Cheryl Bibbs as Yniold effectively delivered the crucial line "I must go and tell something to someone," and Jan Curtis as Genevieve provided unfailingly pleasant work. All of the singers had to contend with the ungrateful task of singing idiomatic French vocal lines in translation. The Conservatory orchestra was simply superb, marvellously negotiating the conversation of timbres and rhythms...