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Word: line (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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What could prompt an educated man to change Lady Macbeth's most famous line to "Out, crimson spot"? Or to excise mention of Queequeg's underwear from Moby Dick? In framing answers, Noel Perrin, professor of English at Dartmouth, takes as his point of departure Dr. Thomas Bowdler, who had a passion for chess and prison reform and an aversion to London smog, sick people, and all writing that, as he put it, "can raise a blush on the cheek of modesty." Certainly the Family Shakespeare (first edition 1807, second edition 1818) became the most popular expurgation...

Author: /time Magazine | Title: Books: Knows Where! | 10/3/1969 | See Source »

...ranks second to Shakespeare among the victims of bowdlerizing. The company is distinguished: Dryden, Pope, St. Augustine, Benjamin Franklin ("the leading native victim" of American bowdlerism), and, of course, Donne. "An easy test of what kind of college a student goes to," Perrin proposes, "is to quote the single line 'License my roving hands and let them go,' and see if his eyes light...

Author: /time Magazine | Title: Books: Knows Where! | 10/3/1969 | See Source »

...With Harvard's forward line improving at such a fast rate. and Bill Meyers aiming for his third straight shutont in the nets. the Crimson should have little trouble with the Terriers...

Author: By Robert W. Gerlach, | Title: Booters Seek Fourth Win Against Boston University | 10/3/1969 | See Source »

Supporting Kontos on the from line will be wings Carlos Williams and Ed Mills. Both men are new to the Terriers offensive. but Sigler is counting on their speed to penetvate the Crimson's defense. At midfield B.U. relies on center halfback. Bob Trump, named Most Valuable Player in the Greater Boston League last year...

Author: By Robert W. Gerlach, | Title: Booters Seek Fourth Win Against Boston University | 10/3/1969 | See Source »

Like the beats, Baillie has a distrust of formalized structures, his movies growing gradually from images shot and edited in spurts, "discovering the film as it takes shape." Above all he is concerned with the apotheosis of the moment, the texture and line of things seen and felt, and the result is a body of work that is palpably bright...

Author: By Joel Haycock, | Title: The Moviegoer Films of Bruce Baillie Second in a two-part retrospective at the Harvard-Epworth Church, 7 p.m. | 10/3/1969 | See Source »

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