Word: line
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Dates: during 1970-1979
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...Gracie Allen. Her Pillsbury doughgirl face--complete with apple cheeks and black current eyes--and boop-boop-eedoo voice beg for a part like this. But her performance is too forced; she mugs about the stage all but saying I'm being cute and this is a laugh line." But the more she tries to be cute, the more she fails to bring any dimension into Sellon's vapid stereotype...
...none. Raymond Sepe plays Alfred--the Italian tenor who can't control the urge to break forth in snatches of every showpiece aria in the book--like a disco cruiser hoping to score; William Walton at one point debases Eisenstein to use Steve Martin's "wild and crazy guy" line; and Mary Ann Martini gives Prince Orlofsky a German-accented sadism that's hard to take along with Strauss's froth...
...Chorus Line [Preview]--Schubert Theater...
...writing good comedy is knowing when to stop. One obvious pun that makes the audience hiss may be entertaining; two or three or even four may not. One comic gesture may go over well, but a whole chorus line full makes you turn away. Somewhere in the forest of one-liners, most importantly, there's got to be a story that makes the audience eager to know what happens next. But nobody bothered to tell Andy Borowitz, author and lyricist of No Net, about overkill...
...work elsewhere. Without the big stage and the real half-men, half-women, Oh No, No Net! limps along toward its less-than-satisfying finale. Director Marisa Silver and choreographer Linda Hammett have conspired to crowd as much on the tiny stage as is possible--and more. The chorus line is massive; maybe just right to command attention on the Holyoke St. stage, but needlessly cumbersome at Agassiz. The director was in a bind--she needed the extra voice power but had to deal with small spaces. The lack of individual dancing talent is obscured by routines which emphasize coordination...