Word: line
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Dates: during 1970-1979
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...with William Tilburg, chairman of the board of Jordan Marsh, February 12 and he said Jordan Marsh would not continue carrying the Stevens line of sheets and towels. They haven't, but they are still selling other Stevens products," Harrington said...
...bottom line, the Faculty created tutorials to accomplish two ends: integrate a field and teach methodology. Graduate students--verve or no verve--lack the breadth of knowledge or expertise of professors that might enable them to attain these high ideals. With only haphazard guidance from a head tutor, graduate student instruction is essentially a case of you pays your money, you takes your chances...
...gory methods, and popular with the masses as well. Jack does his work at the right place and in the right time, too, Victorian England--perfect. When Holmes meets Jack the Ripper, the temptation to indulge in gruesome special effects overwhelms the directors. No matter that the story line, a mish-mash of all the Jack the Ripper identity theories, is so complex and capricious as to make Conan Doyle's brand of deliberate and subtle terror impossible: Clark simply adds a sountrack of weird music and loud irregular heartbeats and heavy breathing and counts on these noises to create...
...student self-government, would have made it all worthwhile. The individual committees--on issues ranging from academics to student life to the role of the university in social and political affairs--could have pooled information, come up with a comparative report, offered some suggestions. But somewhere along the line, many committees got lost in the effort to come up with resolutions (calling for divestiture of investments in South Africa, among other things) and neglected to develop a reasoned critique of current university practices along with strategies for student action to change those practices...
...when Mingus recorded it on his Blues and Roots album. This arrangement begins and ends with singing and handclapping, which set a tone of unrestrained fervor. The climax of this rough and rambling church shout is a flaming tenor solo by Ricky Ford, the last in a long line of great saxophonists who discovered themselves in Mingus's Jazz Workshops. In "Caroline 'Keki' Mingus," a ballad, altoist Lee Konitz lovingly introduces a theme which is then caressed by the ensemble with a grace that can only recall Mingus's one-time collaborator, Duke Ellington...