Word: line
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
Though Bentsen claimed that his J.F.K. line was spontaneous, it had been germinating for days. The weekend before the debate, the Bentsen camp descended on Austin for practice sessions. In a vacant basement bar adjacent to the Four Seasons Hotel, they set up a mock debate stage. Congressman Dennis Eckart, a golf tee stuck jauntily behind one ear, played Quayle. But Bentsen was nervous; he was not having fun. (They did not realize it at the time, but Bentsen aides mistakenly positioned him at the wrong lectern.) Then at one point Eckart, playing Quayle, compared himself to Kennedy. Bentsen became...
...appropriate. "Hey, Roger . . . does . . . on, on this, you know, if I'm gonna, if I, if I decide on my gesture over there . . . is that all right . . . you don't mind?" Because they had been caught rehearsing it, Quayle's handlers decided to scrap the "tearing America down" line of attack. Instead, Quayle substituted his own line about America being "the envy of the world," a bromide he has been repeating on the stump...
...Republicans waited anxiously to see if the roof would cave in. The Bush campaign started to edge away from Quayle. During his first speech after the debate, Bush failed even to mention his running mate. But Ronald Reagan proclaimed during a White House photo opportunity that Bentsen's J.F.K. line was a "cheap shot." Responded Dukakis campaign manager Susan Estrich: "When the Republicans call something a cheap shot, you know you've scored a direct hit." Republicans tried to make a virtue out of necessity by having Quayle dub himself a "lightning rod" for Democratic attacks...
...housing-discrimination complaints last year in the U.S., up from 3,000 in 1980. Racism is most likely to erupt when white homeowners feel threatened. Neighborhood segregation in northern cities is the most stubborn remnant of racial division in America. Often the bias is subtle. But on the front line are families such as the Sleds and the Scotts, whose experiences are shard-sharp examples of how overt and brutal racism in the U.S. can still...
...great exponent had been the man Degas most revered, Ingres. Yet their exquisite clarity of profile could not have been achieved without Ingres's example. In them, the great synthesis between two approaches that 30 years before had been considered the opposed poles of French art -- Ingres's classical line, Delacroix's romantic color -- is achieved. There is no clearer instance of the way in which true innovators like Degas do not destroy the past (as the mythology of avant-gardism insisted): they amplify...