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This sense of self-importance, this humorlessness, is characteristic of an approach to criticism--and to fiction--that has no vitality and that is typical of the Advocate. A magazine recently said that there are "images of linear discreteness" in William Faulkner's fiction. That magazine was a literary quarterly but it might just as well have been the Advocate. So the Advocate's editors should think about Faulkner's answer when the New York Times asked him what he thought of that piece of criticism. "Look," he said, "I'm just a writer. Not a literary...

Author: NO WRITER ATTRIBUTED | Title: The Advocate | 11/16/1948 | See Source »

Novelist William Faulkner complained that literary fame takes a terrible toll. The Kenyan Review had printed a piece that referred to Faulkner's "images of linear discreteness," and "images of curve." But: "Look," explained Faulkner to the New York Times Book Review, "I'm just a writer. Not a literary man . . ." And all those book reviews made things awkward around home (Oxford, Miss.): " 'Why look here,' they'll say, 'Bill Faulkner's gone and got his picture in the New York paper.' So they come around and try to borrow money, figuring...

Author: /time Magazine | Title: People: People, Nov. 15, 1948 | 11/15/1948 | See Source »

...cool, keen eye for the construction of things in nature and on paper makes Karasz' designs consistently acceptable, but like any artist she hits her peak only occasionally. One of the best papers in last week's show, a linear, oriental-seeming study of ducks in long grass (see cut), was inspired just back of her Brewster, N.Y. house. "We had a pair of yellow ducks," she explained, "and the children were chasing them. All I had to do was put it down. Things often come that way, but of course I understood how the blades of grass...

Author: /time Magazine | Title: Ilonka in No Man's Land | 11/8/1948 | See Source »

Music, with Echoes. Matisse's revolutionary synthesis through the years has become increasingly lucid, brilliant and gay. Now his subject matter means little; the colors are the thing. And each color, linked in loose, insistent rhythms of linear composition, sounds in the eye like a separate instrument: trumpet, cello, cymbals, oboe, harp and clarinet. Freely transforming nature, the paintings resound with symbolic echoes...

Author: /time Magazine | Title: Art: Beauty & the Beast | 4/5/1948 | See Source »

...rebounds; but to get enough of them to term it control, a five must have at least two men of Elmore Morgenthaler's proportions. To be sure, Bill Prior at six-foot-five is no midget, but then almost every good basketball team in the country has a similarly linear man holding down the pivot slot. For example, Columbia's Walt Budko matches Prior's height inch for inch, and the centers in the other half of the Arena double-header--Providence against St. Anselm's--both were taller...

Author: By William S. Fairfield, | Title: Egg in Your Beer | 1/8/1948 | See Source »

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