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...energies that when they strike a target they will break it apart. The impact scatters the myriad tiny components of the target's atoms in all directions, thus enabling scientists to detect and analyze them. Science's heavy artillery comes in two different forms. One is the linear accelerator, which shoots the particles down a long, straight tube. The largest of these is the two-mile-long machine at Stanford University, which recently had its power increased to 22 billion electron volts.* The other, more common form is the circular accelerator, which whips particles round a ring-shaped...

Author: /time Magazine | Title: Science: New Pride of the Prairie | 7/5/1971 | See Source »

...Autenrist critics go even further in this direction in order to justify selected Hollywood directors with extrapolated. Meaning and with metaphysical implications of "unique, personal style. " Godard seeks to strip the cinema of all these vague dimensions that obscure the realities of a class society, and to discover a linear, political dimension for the dialectical discussion of material conditions. His rejection of depth-of-focus is a political rejection of the pretensions to "universality" and "realism" in bourgeois...

Author: By Michael Sragow, | Title: Politics and Films for Beginners | 6/17/1971 | See Source »

What distinguishes Harvard Square even more is the way in which the old radio shows' linear style of plot development has been transformed into a fragmented form where the current vignette being enacted is interrupted by flashbacks to examine what has gone before, and where a single word in the dialogue can trigger the introduction of a set of man-in-the-street interviews on the subject in question. Besides having the form of an experiential montage held together by the relationships between characters, Harvard Square uses separation of recorded voices, sound effects, and background noises on eight tracks...

Author: By Bill Beckett, | Title: Soap Operas Harvard Square | 3/31/1971 | See Source »

...critics go even further in this direction in order to justify selected Hollywood directors with extrapolated Meaning and with metaphysical implications of each "unique, personal style." Godard seeks to strip the cinema of all these vague dimensions that obscure the realities of a class society, and to discover a linear, political dimension for the dialectical discussion of material conditions. His rejection of depth-of-focus is a political rejection of the pretensions to "universality" and "realism" in bourgeois...

Author: By Jim Crawford, | Title: Radical Film Duet for Cannibals at the Central Square Theatre | 3/15/1971 | See Source »

Meselson said military defoliation tactics were directed toward three kinds of targets: (1) linear areas along road-sides and canals (2) large blocks of jungle to reduce concealment, and (3) croplands in enemy-held territory of South Vietnam. The first two targets have been abandoned, he added...

Author: NO WRITER ATTRIBUTED | Title: Military Use of Herbicides Must End, Meselson Says | 1/22/1971 | See Source »

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