Word: lined
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...phrases. Richard Nixon appealed to it on Nov. 3 to stand by his war policies. Its opposite, of course, is the unsilent minority, which Spiro Agnew, who has been running regular Thursday-night beat-the-press shows, defines as "an arrogant few" dissenters. Such constant reference to that magic line of 51% of the people-whether friends above it or opponents below it-may end up looking like a form of insecurity. After the Senate rejected Judge Clement Haynsworth for the Supreme Court, the President observed, naturally enough, "I deeply regret this action." But then, as if bringing up reinforcements...
Mathias argues that the Administration is wrong in trying to form a Republican majority in the country by pursuing a Southern strategy. "Are you going to line up with the radical right-which is what the politics of polarization is all about-or are you going to pursue the politics of reconciliation and seek a pluralistic majority...
...Rangoon, queues of would-be shoppers form in the dingy light of false dawn, long before the rising sun has set the golden stupa of the Shwe Dagon Pagoda aglow. For hours, as crows caw mournfully above the dirty streets, they stand in line at "people's stores," ration cards in hand, waiting for a chance to buy rice, bread, soap or a bit of cloth to make a longyi, the Burmese sarong. But when the doors open, the shelves, as often as not, are bare...
Agnew complained further that the Washington Post Co.'s outlets are "all grinding out the same editorial line," and "hearken to the same master." There, the Vice President had a point. Mrs. Graham is not inclined to install top editors who stray too far from her own liberal views. It was perhaps unfortunate for her that when Newsweek's Lester Bernstein commented on Agnew's speech over CBS radio in New York, he chose precisely the same words used by Mrs. Graham. But a partial contradiction of Agnew's charge of monolithism was produced...
There is no hero. The central figure is Basho, the great 17th century Japanese poet. To this role, Nicholas Kepros brings a wry gravity of mien and a musical clarity of line delivery that merits his being called Zen Gielgud. Basho is on a quest for enlightenment, a radiant shaft of wisdom that will have the direct luminous perception of one of his poems...