Word: linen
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...Broun that he resembled an unmade bed. This summer that dubious sartorial distinction is being emulated by fashion-conscious men and women from Fifth Avenue to Rodeo Drive. The look could be called Sloppy Chic. Its adherents insist that the clothes they wear be made of natural fibers-cotton, linen, silk-and that they look natural: unstructured, unlined, unstarched, unpressed. Their aim is to look carefree not careless, modish not messy, though the distinction may at times be more in the eye of the wearer than the beholder. "This year," says a buyer at Chicago's I. Magnin, "wrinkled...
Buttoned-down American men, of course, are dourly and durably resistant to the whims of fashion; but they too are succumbing in increasing numbers to the "schlepped in" look. When Wilkes Bashford, San Francisco's priciest men's store, ran full-page ads featuring a man whose linen suit looked as if it had escaped from a disaster movie, it was a sellout. Italy's Giorgio Armani is generally acknowledged to be the greatest evangelist of male unkempt. A disarming, blue-eyed Milanese, Armani, 43, is a canny tailor who knows precisely what each fabric...
Southbound, the Crescent serves dinner both evenings of the trip (the first night, until 10:30 p.m.). "Dinner in the diner/ Nothing could be finer." Well, almost. Each table is dressed with linen cloth and napkins, heavy silverware and a vase of three fresh yellow chrysanthemums. The fare runs to excellent Southern fried chicken with cream gravy, roast beef and steak; there are hot breads and lemon pie. One couple does object testily when the steward is unable to produce a corkscrew for the bottle of Moulin-á-Vent '76 they had brought to table. It turns out that...
Bair neatly captures this offbeat union: "She catered to all his comforts, seeing that he had food, clean laundry and linen, and he allowed her to live in his apartment and do all that she wanted...
...best new museum building in America−the Kimbell Art Museum in Fort Worth, opened in 1972. Kahn accepted the job and designed a four-story box, dedicated to light: a building without gimmicks or stylistic narcissism, low-keyed but explicit, whose pale concrete, blond wood and natural linen wall coverings provided a strictly subordinate background to the paintings. (The architect never lived to see it finished; he died in 1974.) This unpretentious exactness of taste was much in keeping with Mellon's general style of philanthropy: the ambition being, a phrase often heard by the curators and museum...