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...JAMES A. LINEN...

Author: /time Magazine | Title: A Letter From The Publisher, Apr. 28, 1952 | 4/28/1952 | See Source »

...sweet herbs against infection before she herself laid hand or lips to them. By last week, when Elizabeth II (in her first official public appearance since the funeral of her father) performed the traditional Maundy Thursday rites, the paupers' footwashing had been reduced to the merest symbolism: white linen aprons worn by her yeomen bodyguards. In the Abbey ceremony, however, the Queen followed faithfully the custom of her ancestors in distributing white purses of maundy money (26 pence worth of specially minted silver coins) to 26 men and 26 women (one for each year of her age), all carefully...

Author: /time Magazine | Title: Foreign News: Pennies for the Poor | 4/21/1952 | See Source »

...Charles showed his inclination early. He played endlessly with a toy puppet show until his brother Tom, who had built a guillotine out of a camera shutter, beheaded the marionettes. Laughton's next theatrical disaster came at the age of eight: his mother surprised him in a large linen closet, where, dressed in pillowslips and sheets, he was performing dramatic solos before a captive audience of one entranced pantrymaid...

Author: /time Magazine | Title: The Theater: The Happy Ham | 3/31/1952 | See Source »

Three days after his lightning army coup (TIME, March 17), Strong Man Fulgencio Batista moved last week from his Camp Columbia headquarters to the presidential palace in downtown Havana. His white linen suit soaked with sweat, his voice hoarse with fatigue, the "Chief of the Revolution" sat at his old presidential desk for the first time in seven years, greeting job seekers, delegations of sugar planters, union leaders and the press. Tired as he was, he grinned a big victor's smile...

Author: /time Magazine | Title: CUBA: Winner Take All | 3/24/1952 | See Source »

...India and China and to develop styles of their own. In those days, artists of every sort swarmed about the great Buddhist temples at Nara, 20 miles south of Kyoto. Some worked with stone, wood and metals. Others chose lacquer, mixing it with powdered incense, spreading it on linen strips over models of wood or plaster, and then painting their work in flaming vermilion, gold and blue. Over the years, most of their work has been lost or burned, but enough of it remains to show how good some of the old, forgotten artists were...

Author: /time Magazine | Title: Art: Fierce Old Bird | 3/24/1952 | See Source »

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