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SHUTLZ'S fall from grace has been much less obvious or dramatic, but in many ways much more interesting. After all, Weinberger, for all his supposed bureaucratic skills, was still known, was skill known as a hard-liner on defense. But Shultz was real giant-killer, the man waiting in the wings all during Haig's failed vicarship, ready to restore cool, business-like leadership to an aggressive U.S. foreign policy...

Author: By Michael J. Abramowitz, | Title: Cap and George | 3/10/1984 | See Source »

...plunge into Morley's peculiar oeuvre with a painting that presents his dislocations at full stretch: Age of Catastrophe, 1976. It shows an accident that never happened. A liner on the Atlantic run is warping out of port. Its hull is literally "warped," the perspective skewed and twisty. An airliner seems to have crashed on it, an old Pan Am Constellation of the sort that went out of service decades ago. But the scale is all wrong: the plane is too big for the boat, and it looks more like an effigy stuck to the painting. In fact, Morley...

Author: /time Magazine | Title: Art: Haunting Collisions of Imagery | 3/5/1984 | See Source »

...face value, Morley rants against them. That is the main difference between him and the Pop artists with whom he was associated in the 1960s. It was not obvious at once. When he first emerged as a painter, it was with images that looked utterly deadpan: paintings of ocean liners, enlarged from postcards and publicity brochures. But their method was peculiarly systematic, a parody of system, in fact. Squaring the postcard image up to canvas size, Morley would work on it patch by patch, sometimes upside down, stippling away so that each bit of water or hull looked abstract...

Author: /time Magazine | Title: Art: Haunting Collisions of Imagery | 3/5/1984 | See Source »

...Ship Sails On", a dreamy, allegorical film set in the tension-filled days of August 1914, when the European continent girded for its first encounter with modern warfare. The film, Fellini's fifteenth, is an adult fairy tale gone bad. The story takes place aboard a luxury liner somewhere in the Mediterranean Sea with a group of passengers representing Europe's elite. This array of artists and nobles have gathered for the scattering of the ashes of a renowned opera star named Edmea Tetua whom they all knew at some point in their lives. The only person present...

Author: By William S. Benjamin, | Title: Picture Stills | 2/17/1984 | See Source »

...urgency when the crew saves a group of shipwrecked Serbians atempting to flee the Austrians presently ravishing their country. While at first the entourage resent the peasants' intrusion, they gradually develop a fascination and sympathetic affection for the newcomers. Disaster looms imminent, however, when an Austrian battleship accosts the liner demanding that it hand over the refugees. The closing scene where the passengers defiantly sing to the sounds of cannons fittingly foreshadows a century where man's destruction has often outdistanced his creativity...

Author: By William S. Benjamin, | Title: Picture Stills | 2/17/1984 | See Source »

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