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Officials from the UAW headquarters, in Detroit, have declined to comment on the festering disputes. But critics of the union's leadership acknowledge that there isn't much the union can do to win back lost wages and benefits or even hold the line in the face of new demands for concessions, given the steady decline of organized labor across the automotive sector...

Author: /time Magazine | Title: UAW Anger at Contract Concessions on the Rise | 2/23/2010 | See Source »

Burgard argued that “we might question the motivation, validity and relevance of [this attempt] in an era of increasingly complex cultures and conflicts. Indeed, once outside the confines of the customs line at an airport, the perception of a dichotomy between American and non-American or even un-American validates assumptions that it instead ought to challenge...

Author: By Jenya O. Godina, CRIMSON STAFF WRITER | Title: HKS Event Examines Art and Citizenship | 2/23/2010 | See Source »

...quite Merriweather’s thing, nor do they need to be. Standout track “Impossible” is proof enough that Merriweather doesn’t need to say anything particularly compelling to craft a memorable soul-pop number. A playfully hypnotic bass line, punctuating guitar and gratuitous strings give the cliché chorus—“There ain’t nothing, nothing / Nothing impossible for your love”—a renewed immediacy...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: Daniel Merriweather | 2/23/2010 | See Source »

...building “Live by Night.” Though many choruses are frustratingly unoriginal, “Chainsaw” thoroughly breaks this pattern with the bizarre refrain, “Giving myself to you is like giving myself to a chainsaw.” Though this line falls flat, Merriweather has the benefit of a sound big enough to command some melodrama, and, even when he overreaches, he overreaches with a brazenness that’s fun to listen to and more than a little endearing...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: Daniel Merriweather | 2/23/2010 | See Source »

...deliciously clear prose, the deceptively short fifteenth novel from the award-winning author of “White Noise” clocks in at a mere 117 pages, each of which gives the impression of a schoolboy’s essay that fell too far below page count; the line spacing feels tampered with, the sheets seem to contain a curiously low ratio of text to paper. Between each of the six sections lies a blank page—more space, another pause...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: 'Point Omega' Explores Complexity and Consciousness | 2/23/2010 | See Source »

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