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...However Arabic or Russian the orchestrations, Jarre's music fit the plangent mood of French postwar pop: the mordant, worldly-wise chansons of Gilbert Bécaud, Marguerite Monnot, Jacques Brel, Charles Aznavour. The simple melodies follow a clear ascending or descending line, and sound either inevitable or predictable, depending on the extent of the listener's fondness for the form. Jarre didn't write pop songs, exactly; "Lara's Theme" was his one Top 40 hit. But the sound was marketable in movies, and after Lawrence, Jarre's tinny, tinkly, discordant music was in high demand by directors searching...

Author: /time Magazine | Title: Epic Composer Maurice Jarre Dies at 84 | 3/30/2009 | See Source »

...Ireland, am the same age as Bono, have every one of their recordings on vinyl and CD, and have seen the band live, in Dublin and elsewhere, many times. I wanted to thank Josh Tyrangiel for his incisive, honest and, above all, brave review of their new album, No Line on the Horizon. I've listened to an advance copy about 30 times, and it's a poor, disjointed, unmusical record with a few listenable songs. The only good ones sound like Brian Eno tunes with guest appearances by U2. The other publications to which I subscribe have written reviews...

Author: /time Magazine | Title: Inbox | 3/30/2009 | See Source »

...after day one but then went on to post the best record of Sunday’s championship round at 5-1 to finish 12-3 on the weekend, just back of the Eagles 13-2 mark.“We won most of our races off the starting line,” Watson said. “We had some really close races with BC and I think we have started a rivalry with them for the rest of this season and for the coming seasons.”Three women’s boats represented the Crimson...

Author: By Thomas D. Hutchison, CRIMSON STAFF WRITER | Title: Crimson Sailing Performs Strongly | 3/30/2009 | See Source »

...strategically placed shamrock, serving as a target, left no question as to what “Get Lucky” really means. In order to make their advertisements for this party noticeable, the students who made the poster (and many others of all genders) have unintentionally crossed the line from objectification to using images and phrases that may encourage, normalize, and undermine the seriousness of sexual violence. This trend begs the questions: How can it be acceptable to use this kind of imagery? What are we saying about how we view and value each other...

Author: By Shani Boianjiu, Lisa J. Miracchi, and Eva B. Rosenberg | Title: Sexploitation | 3/30/2009 | See Source »

...Ultimately, feminists cannot opine on the precarious line between sexy and sexism without legislating the location of that line itself and, therein, relinquishing all claims to the universality of their conclusion. Indeed, modern feminism, with its valorization of the lived experiences of women, esteems individual subjectivity too highly to provide a satisfactory answer. That is not to say that this valorization is an inherently bad, or even flawed, component of contemporary feminist thought. Women should have the right to choose the manner in which they express their sexuality, regardless of the content of their choice (unless, of course, it results...

Author: By Courtney A. Fiske | Title: ‘Sexiness’ or ‘Sexism’? | 3/30/2009 | See Source »

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