Word: lintel
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...Piedras Negras, an expedition headed by Dr. J. Alden Mason of Philadelphia's University Museum found a rectangular limestone carving in high relief which showed plainly that the unknown sculptor had a sense of humor, at least of satiric portraiture. The block, 49 in. long, was called a lintel, although its scanty margins indicated that it was used not over a doorway but as a wall tablet. Parts of the carving were effaced, but by squeezing every available clue Miss M. Louise Baker, experienced archeological artist, was able to make a wash-drawing reconstruction of the original...
...Angel of Death, at the Passover, omitted those houses that showed no crimson palm-marks on the lintel, so do you pass by any shop window or advertisement that does not display the Blue Eagle...
...Franciscan cowled in black stooped under the lintel and strode into the chamber, followed by a waddling friar and--was it a dog? The Vagabond eyed the Beast fearfully, the hound-like body, the leathery gray hide maculate with patches of glinting hairs, the beak, the swinging pink teats, its ebon Veneficium of Amor between almond eyes. The Beast slunk to the hearth where the Franciscan had established himself comfortably. "Be thou not afraid," the Holy Man intoned softly. "We are of the World Spirit, to comfort such as thou." Further events the Vagabond shall never recall clearly...
...shuttered, musty, little shop stood on the edge of the canal, next to the sumptuous guild of the moneylenders. On its lintel was the cryptic legend, "speak of nothing but business, and speak quickly. To the merchant-princes of the guild, who saw it in passing, it might have seemed like the humble bootleg of a cobbler. Not the most fortunate of them would know that within it countries of the mind were being discovered, vaster than the lands toward which another Italian was sailing in the same year. Entering, he would have found the flower of Venetian scholarship gathered...
...other than chairs and tables which may represent almost any architectural feature. The actor expresses himself in turn by speech singing, gymnastics and dancing. Fearsome, comic masks and face-painting, costumes, and a whole intricate play of gesture have complex, traditional significances (stooping, for instance, means passing under a lintel, i. e., entering another house). The singing is accompanied by one musician producing whining, squealing sounds on the Hu-ch'in (bamboo bow-and-string instrument), by others tapping wood blocks, striking cymbals, plunking rudimentary banjos. Their approaches to harmony are painful to western ears; their rhythms are often...