Word: lions
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...hydra-head of animation, Lasseter may have an uphill journey: not just keeping Pixar on track (Brad Bird's Ratatouille, about a gourmet rodent in Paris, is next, probably followed by Toy Story 3), but also in steering the Mousemobile back to speed. In 1994, when The Lion King capped a series of animation hits, Disney's bright future seemed as sure a bet as Pixar's does now. Then Toy Story came out, and computer animation took over. Before buying Pixar, a desperate Disney had scuttled its traditional animation unit. Lasseter may restore that. "Of all studios that should...
...Encores! production, staged by John Rando (who directed the wonderful 1998 revival of the Kaufman-Gershwin Strike Up the Band), makes Kaufman's old whine bubble like new wine. Pristinely faithful to the original, down to a film clip of the MGM lion, crowing instead of roaring, the show has a brisk, canny bounce matched only by ... well, by The Drowsy Chaperone. Rando festoons John Lee Beatty's balconied set with streamers, packs the stage with sight gags and sex appeal - 10 gals in bathing suits, courted by boys with press cards in their hat bands. The cast and orchestra...
...more than 100 films, including Carol Reed's The Third Man, Luchino Visconti's Senso and Bernardo Bertolucci's The Spider's Stratagem; in Rome. A baroness who went into hiding during World War II to avoid being recruited for Mussolini's propaganda efforts, she received a career Golden Lion award at the 1997 Venice Film Festival...
...more than 100 films, including Carol Reed's The Third Man, Luchino Visconti's Senso and Bernardo Bertolucci's The Spider's Stratagem; in Rome. A baroness who went into hiding during World War II to avoid being recruited for Mussolini's propaganda efforts, she received a career Golden Lion award at the 1997 Venice Film Festival...
Starring as Sampson the lion – the unimaginatively-named leader of a band of quirky New York City Zoo animals who try to rescue Sampson’s runaway son (Greg Cipes)—Sutherland brings a level of realism to the beast he portrays that no other actor in the film can attain. This is largely because the timbre of his voice enlivens his feline alter-ego, while most everyone else manipulates his/her accent to the point of incomprehensibility...