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...Crimson scored again quickly as Lou Marczuk broke through the Columbia squad after a line-out near the Columbia goal and stripped the ball from an unsuspecting Lion. Joe Piesman then pounced upon the errant spheroid to score a try and put Harvard ahead 8-0. But again, Durham missed the conversion...

Author: By Bob Baggott, | Title: Ruggers Fall Prey to Lions; A's, C's Lose, B's Triumph | 3/28/1977 | See Source »

...movement of The Lion in Winter, through increasing verbal violence, is towards the temporary stripping away of these masks, the revelation of the terrible hungers which move these men and women to destruction. Each character both resists and realizes his own identity through acting: dissimulation is the armor of internecine struggle, but after a while the masks become frozen in place, forever blocking out the vestiges of humanity underneath. Lies are stacked so thick that appearance and reality are confounded, and an anguished Queen cries out: "Scenes. I can't touch my sons except in scenes...

Author: By Julia M. Klein, | Title: Masks and Machetes | 3/24/1977 | See Source »

...Lion in Winter is pure theater, verbally lush and crammed with dramatic peaks. Every scene builds to a stunning climax, as betrayals and counter-betrayals blaze into a crescendo of frustration and defeat. The play's stylized characterizations and heightened language looked like so much posturing and anachronism on the screen; but back on the stage, in the Leverett Old Library Theatre, they form the underpinnings of a first-rate production...

Author: By Julia M. Klein, | Title: Masks and Machetes | 3/24/1977 | See Source »

Under Channick's direction, The Lion in Winter neatly negotiates the emotional currents which propel the tortured Plantagenet family. A few times, only a few, Channick and cast falter: Eleanor's exclamation that Geoffrey has loved her all along comes out of nowhere, and Richard's homosexuality is discovered too suddenly, without sufficient preparation. By and large, however, the production zigzags its way excitingly forward, interrupted only by a series of excessively noisy and prolonged set changes between scenes...

Author: By Julia M. Klein, | Title: Masks and Machetes | 3/24/1977 | See Source »

...mask reality, just as The Lion in Winter's glittering set, fitted out with red velvet and gold-emblazoned lions, essentially masks a dramatic landscape as bleak as a snow-embalmed mountain. In this world, mistakes trigger others in an avalanche of errors, which makes retreat to hope and love impossible. "We can't stop and we can't go back. There's nothing else," Henry cries in despair. But even a drama of despair can offer testimony to the power of human endurance. At the end, when Henry and Eleanor re-mask, confronting the wreck of their lives with...

Author: By Julia M. Klein, | Title: Masks and Machetes | 3/24/1977 | See Source »

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