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Both moves are disastrous. The context is so implausible that one cannot believe in the honesty of the theatrical experience. We are shown a stiff-upper-lip Colonel firmly set in the aristocratic European military tradition-and are asked to accept him as part of upper-class New York social circles. We are asked to believe in a young debtype with scruples about sex and religion. And, after one of the greatest tie-loosening decades in American history, we must also accept her guilt over marrying the man she loves against her mother's wishes...

Author: By Michael Sragow, | Title: Theatre Look Back in Anger Tonight at the Loeb Ex | 3/13/1971 | See Source »

...late in the fight were little more than a fluke. The groundwork for the slaughter of the last five rounds had been skillfully laid during the previous ten. Forget Ali's jaw for a moment. Even if he couldn't talk to reporters after the fight, even if that lip of his will be hung up for a few days, it isn't nearly as hurt as his midsection, which will probably be on ice for the next few weeks...

Author: By M. DAVID Landau, | Title: On the Ropes | 3/10/1971 | See Source »

...dollars and cents; many of the fundamental features of racism are glossed over and the whole issue becomes a footnote to the struggle of the white working class. At the same time, groups like the Panthers, which focus on "consciousness-raising" around ghetto issues and do not pay lip-service to organizing workers as such, are singled out for harsh, unsympathetic condemnation. For this behavior, many members of SDS now charge that PL is racist...

Author: By M. DAVID Landau, | Title: Is PL Killing SDS? | 3/8/1971 | See Source »

...subjects. The song Sweet Baby James is simply one of the best lullabies ever composed. In Suite for 20 G, he can ease into a cool, rock-'n'-roll-flavored parody of the 1950s, or do wailing variations on old-fashioned blues (Oh Baby Don't You Loose Your Lip...

Author: /time Magazine | Title: Music: James Taylor: One Man's Family of Rock | 3/1/1971 | See Source »

...seldom flattering. In the earlier film Laurence Olivier constructed the role of Heathcliff like a man building a castle. Timothy Dalton, who played the foppish Prince Rupert in Cromwell, now seems less landlord than tenant. He self-consciously melts and struts, breathing hard to signify passion, curling his lip to show contempt...

Author: /time Magazine | Title: Cinema: Romantic Backlash | 3/1/1971 | See Source »

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