Word: lipchitz
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...sure mark of a good piece of art is that it tempts the viewer to touch it. Unfortunately, we usually only encounter art in museums and galleries, where the alarm goes off if you get too near (once, at an exhibition of Jacques Lipchitz sculptures, the frustration of this got the better of me and I had to plead for mercy with the guards.) Some art awakens entirely different desires, compelling the viewer instead to talk about it, to stare at it, to look away from it, to imitate it or to think about it. The work by Museum School...
...combination of stubbornness, string pulling, blind luck and the help of a tiny number of devotees and friends in the U.S., some did get through, settling for the most part in Manhattan and Los Angeles. Among them, from Paris, were Fernand Leger, Marc Chagall, Piet Mondrian, Jacques Lipchitz and the core group of Surrealists who went to New York City: Max Ernst, Andre Breton, Yves Tanguy, Andre Masson and Roberto Matta. From Germany, Kokoschka, Kurt Schwitters and the Dada collagist John Heartfield reached London, while Max Beckmann, Josef Albers and George Grosz made it to America...
...Jacques Lipchitz: Sculptor and Collector: Albert and Vera List Visual Arts Center, 20 Arnes...
Most of the pieces are ordinary silver, ranging from teaspoons to tea sets, but some are antiques worth far more than their weight in bullion. An exquisitely ornamented sterling cup made in 1835 changed hands in London for $272. Jeweler Abraham Lipchitz bought it on the street and quickly turned down an offer of $908 from a competitor. Said Lipchitz: "It's a crime. People are selling fine pieces like this to be melted down...
...Henri Laurens and Archipenko. Laurens's Dish with Grapes (1916-18), with its majestic rotation of painted wood planes around the calm central core of the stemmed fruit dish, is surely one of the masterpieces of the 20th century, and all the fresher for being little known. Jacques Lipchitz's flat, frontal cubist sculptures, like Detachable Figure, Seated Musician (1915), are perhaps less impressive than this; yet they have about them a gaiety and precision of feeling that predicts art deco. Archipenko was a Russian émigré who arrived in Paris to work in 1908. As Rowell...