Word: lippi
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...through the film, as the moviegoer watches, there travels a troubling little ecstasy of recognition. The costumes, and even many of the scenic compositions, are copies from old masterpieces by Lippo Lippi, Pisanello, Carpaccio, Lorenzo. As the orchestra tunes up for the Capulets' ball, five little boys step up to sing, and suddenly are grouped, in lovely archaic rhythm, as a choir of cherubs in Raphael's style. Juliet, in the scene where she first sees Romeo, is dressed like Botticelli's Flora, and the lines of her head and neck might be a tracing from Veneziano...
Certain to stay are such masterpieces as the circular Adoration of the Magi (see picture), which was begun by the great and devout 15th Century Florentine, Fra Angelico, and finished by his more worldly junior, Fra Filippo Lippi. Renaissance Scholar Bernard Berenson surmises that Fra Angelico painted the radiant Virgin and Child and the background figures, and that Fra Filippo is responsible for the sharply characterized foreground figures on the right. Other standouts in the collection are Benozzo Gozzoli's Dance of Salome and Beheading of St. John the Baptist, a grisaille (grey monochrome) frieze by Giovanni Bellini, portraits...
...whose art, compounded of form and fire equally, remained a major triumph of the Christian world. The city of Florence was no bigger than Peoria, Ill., but in a single century-the isth-she blossomed with the paintings of Masaccio, Ucello, Botticelli, Luca della Robbia, Fra Angelico, Fra Filippo Lippi, and a score of others...
Manhattan's Metropolitan featured 70 drawings from the 15th to the 19th Century. Standouts were six casual masterpieces by the 15th-Century Florentines, who drew mostly in sepia and silverpoint (indelible). Trained to make each stroke right the first time, men like Michelangelo, Filippino Lippi and Verrochio looked long and hard before translating their models' flesh into thin lines. Their looser chalk studies, like Michelangelo's Libyan Sibyl, showed the same supreme accuracy...
During the war years no gilt-edged Old Masters of the Andrew Mellon-J. P. Morgan class have changed hands at auction. Recent sales: a Fra Lippo Lippi, $30,000; a Van Dyck, $10,000; a Tintoretto, $41,000; a Rembrandt, $11,500; a Velasquez, $15,500. But many a painting with a dazzling signature has fetched a four-figure price: a Rubens for $6,900; a Goya for $3,500; a Gainsborough at $6,000; an El Greco...