Word: lippold
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...sensed the need for a sculpture that would "float in space and relate in a contemporary manner to the interior of the foyer, just as the magnificent crystal chandeliers of a former day took command of their space." He selected one of the best space-commanders around: Sculptor Richard Lippold...
...from the elegant wired constructions of Harry Bertoia to the thick figure paintings of the late David Park to the haunting geometry of Painter Attilio Salemme. Otto Gerson deals mostly in first-rate sculpture from Barlach to David Smith. The Willard Gallery (Feininger, Mark Tobey, Morris Graves, Sculptor Richard Lippold) is excellent; so is John Bernard Myers' Tibor de Nagy Gallery, whose artists include Larry Rivers, Robert Goodnough and Fairfield Porter. In the print field, the sightseer or collector can do no better than start at the A.A.A. Gallery on Fifth Avenue, which has the most catholic assortment...
...interior of Philharmonic Hall is divided into a lower and an upper lobby and the concert hall proper. The upper lobby will be dominated by the as yet incomplete "Orpheus and Apollo," a pair of huge, free-form sculptures of gold Munz metal. Designed by Richard Lippold, who also produced the "World Tree" of Harkness Commons, "Orpheus and Apollo" will be visible from the plaza outside and hopefully will establish a sense of immediate excitement both outside...
...past the surrounding rubble to last week's concerts entered a nine-story hall designed by Architect Max Abramovitz, its glass sides framed by 42 columns faced with travertine, its main foyer rising almost 50 ft. and dominated by a five-ton "space sculpture," still unfinished, by Richard Lippold. With 2,646 seats (with holes on the underside to absorb sound), Philharmonic Hall is 114 seats smaller than Manhattan's Carnegie Hall, and it provides no room for standees. But the opening gave New York two major concert halls for the first time in 35 years (since...
Cage and Muzak met several months ago when the composer was presented with a thorny problem involving Manhattan's giant new Pan American Building. Sculptor Richard Lippold, renowned for his glittering geometric structures of stainless steel and gold, had been commissioned by the Pan Am Building directors to design a work for the main lobby. Lippold created The Globe, an immense, shining piece three stories high. The directors were delighted, but Lippold...