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Morris Graves, Kenneth Callahan, Guy Anderson) and four New York sculptors (Rhys Caparn, David Hare, Seymour Lipton, Ezio Martinelli). Their paintings and sculptures range from simplified realism to completely nonobjective works, but both shows have a strong list to the abstract...

Author: /time Magazine | Title: Art: CONTEMPORARIES ABROAD | 7/22/1957 | See Source »

...majority of prizewinners in the Chicago and Corcoran exhibits [Jan. 21] seem like the feckless choices of a madman. James Brooks's R-1953, which resembles nothing more than an imperfectly stained laboratory slide, cannot be interpreted as anything but a refined experiment in egomania. Lipton's The Cloak, even as a theme, could be more feelingly rendered by any class of fifth-graders. Glarner's Relational Painting Number 79 should be considered as an expression of pure design, not as art-it would make an excellent linoleum motif. Contrastingly, Loren Maclver's The Street shows...

Author: /time Magazine | Title: Letters, Feb. 4, 1957 | 2/4/1957 | See Source »

...First prize ($2,000) to Bronx Sculptor-Welder Seymour Lipton, 53. for his bronze-braised, 8-ft. tall The Cloak (left). Lipton, who finally retired from dentistry two years ago to become a full-time sculptor and now has work in eleven museums, takes his cue from biological forms, feels that The Cloak, with its enclosing forms, symbolizes the fact that for man, as well as plant life, "protection is necessary if there is to be growth." ¶Second prize ($1,000) to Abstract Expressionist James Brooks, 50, for his swirling 7-ft.-by-7-ft. R-1953 (right...

Author: /time Magazine | Title: Art: What Wins a Prize? | 1/21/1957 | See Source »

...role of Aunt Martha is pleasantly played by Helen Ray, who looks the part but sometimes tumbles over her lines. The role of Teddy is unruinable: charging up the stairs (San Juan Hill), plunging down to the cellar (Panama), bellowing, or bugling, George Lipton does nothing to diminish the preposterous comedy of his role. Mortimer is acted well, but Hugh Reilly often forces excessive gusto or thickheadedness into his part. The glowering Jonathan is solidly acted by George Cotton, who, sadly, looks like Orson Welles instead of Boris Karloff (the role was written as a parody of Karloff, and Karloff...

Author: By Larry Hartmann, | Title: Arsenic and Old Lace | 12/1/1956 | See Source »

...attraction this time is Martha Lipton, soprano, together with a small orchestra. The cost is $5 per person for bus transportation, concert tickets, and picnic supper on the beach; $5.75 if you want to eat lobster. All interested should sign up in Grays 1 by Friday...

Author: NO WRITER ATTRIBUTED | Title: Castle Hill Bus Trip Planned on Saturday | 8/9/1956 | See Source »

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