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...like Kabuki theater. The pauses, the looks of the characters, were all little moments of directorial authorship. The close-ups of the hands in pouring the tea. The shots of the geishas' kimono trains wriggling like the tail of a fish through a stream. Rob took the liquid metaphor of the water in Sayuri's eyes and created a river of images. It seemed to be planned by the heart. But it was planned. He had a picture in his mind, and he fought until the picture was on film...

Author: /time Magazine | Title: The Making of a Geisha | 11/6/2005 | See Source »

COLOR CODING Liquid crystals that change color depending on the temperature alert workers if these polio vaccines have been exposed to heat and are no longer potent

Author: /time Magazine | Title: High Tech for the Low-Tech World | 11/3/2005 | See Source »

...Biochemical Equation,” the collaboration single between the Wu-Tang Clan’s RZA (who did the soundtracks of both Kill Bill films) and indie-hop supervillain MF Doom last month had good reason to be excited for this project. I was dusting off my liquid sword, getting ready to guillotine heads once more. RZA wails, “Strong as the base of a mountain, there’s no countin’, how many MC’s have sprung from our fountain!” in his best verse since his paranoid rant...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Wu-Tang Meets the Indie Culture | 10/27/2005 | See Source »

...effect of the many videos and light shows, like Brits Mark Boyle and Joan Hills' Beyond Image and Son of Beyond Image (1969). With a soundtrack by British progressive rockers Soft Machine, it features projections of colored oil floating on water. Or how about German-born Gustav Metzger's Liquid Crystal Projections (1965/2005), a chill-out room with moving images of colored blobs flung onto the walls?why not turn up, drop in and tune out? tel: (49-69) 2998820; www.schirn-kunsthalle.de

Author: /time Magazine | Title: Listen to the Color of Your Dream | 10/24/2005 | See Source »

...into electricity. Sounds cool, but what's it good for, exactly? "We're a couple of years away from showing practical applications," admits Flickinger. "But we're very optimistic about its future." Photo bioreactors already exist in labs, but because they're made from a slurry of bacteria and liquid that needs to be stirred constantly, they are inefficient and expensive. Flickinger's paint concept needs nothing more than waste carbon sources, sunshine and a thin coating of highly concentrated microbes. For the moment, more fundamental scientific and engineering studies are needed in the laboratory to prove the concept...

Author: /time Magazine | Title: The Future of Energy: Innovation: 7 Cool New Ideas | 10/23/2005 | See Source »

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