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Word: liquidations (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...high voltage singer named Sheila. Their sound is all their own, but there are some familiar touches of The Lovin' Spoonful (Grew Up All Wrong) and Jefferson Airplane (Banana Split). In Banana Split, two electronic zaps project the listener, as through a time warp, into a liquid Eden of tinkling bells and clicking percussion. The Group Image calls it the Twinkie Zone, and it's a pretty good place...

Author: /time Magazine | Title: Television: Nov. 8, 1968 | 11/8/1968 | See Source »

...miles of barbed wire fence surrounding Dow's plant, 4500 acres of land. "The largest industrial complex in the country within one fence." 700 smoking buildings. Miles of ground-level piping. Miles of overhead piping. Hundreds of vats, some of them 40 feet in diameter with a soupy green liquid bubbling inside...

Author: By Joel R. Kramer, | Title: The World of Dow | 10/31/1968 | See Source »

...Beck plays a horn blast. Amid all this discord, Beck, stroke of genius, does a willowing eddy of tune straight out of B.B. King. An abrupt stop again, Beck thumps the side of his guitar and bounces on his knees, Waller slams down harshly twice, Beck reels off long liquid strings picking up the early song tune. He starts a long uncoiling flourish with flickering electronics breaking the flow. Waller trundles mildly on the drums, Wood plays briefly on bass, Hopkins plunks furiously on piano and Beck is rolling in the background playing what sounds like a 20's melody...

Author: By Salahuddin I. Imam, | Title: The Jeff Beck Group | 10/30/1968 | See Source »

...love to hear an audience applaud, but you can't take an audience home with you." "I can't go-not like this." As Nick Arnstein, Fanny's hard-luck gambler husband, Omar Sharif, of all people, is only required to stand and listen with large liquid eyes. The rest of the cast is simply a Jewish chorus of ooze and ahs mimicking Yiddish locution by ending declarative sentences with a question mark. ("He has polish on his nails...

Author: /time Magazine | Title: New Movies: Streisand Special | 10/4/1968 | See Source »

Taken together, as Barth urges they should be, these fictions interreact to produce a series of constantly changing and enticingly illusive forms. Like the sea god Proteus, who avoided foretelling the future by changing his form every time he was pinned down, Barth keeps his artistic assets as liquid as possible...

Author: /time Magazine | Title: Books: Fables for People Who Can Hear with Their Eyes | 9/27/1968 | See Source »

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