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Some things go slowly, like the piece titled Paradiso, 1993, hung from the Guggenheim dome: two enormous breastlike funnels drip a white liquid into the ornamental pool far below, drawing an imaginary line and suggesting grace | coming, rather parsimoniously, from heaven. Others go fast, like Untitled (Amerika), 1990, Horn's image of nomadic life and rootlessness: a beat-up suitcase with a thermometer inside flaps agitatedly along a line slung across the open well of the building...

Author: /time Magazine | Title: Art: Mechanics Illustrated | 9/13/1993 | See Source »

...reproductive-organ problems. Most of the citizens have fled their homes. Many have been compensated by the courts and developers: last year 1,700 plaintiffs agreed on a settlement of $207 million, reportedly the largest-ever out-of-court deal in a toxic-waste case. Meanwhile, after 10 years, liquid and airborne wastes are still flowing from the plant site...

Author: /time Magazine | Title: Toxic Dumps: | 9/13/1993 | See Source »

...quintessential competitors in the gear market: their sports are so difficult to learn that most players spend their lives gazing wistfully up at mediocrity's underside. Repeated discouragement, of course, leads to repeated equipment purchase. But gear possibilities are poor; you don't really want moving parts or a liquid crystal display on a racquet or a three wood...

Author: /time Magazine | Title: Geared to The Max | 9/6/1993 | See Source »

...moon materials in the last couple of years. High-impact modulus- polymer-visco-graphite is just as good as it ever was, but the new has worn off. This year's Prince entry in the country-club weapons race is called the Extender. Made of graphite and liquid crystal polymer, the Extender is bigger than the usual big-head (116 sq. in. vs. 110), and its oval shape is supposed to give it a bigger sweet spot, for those of us with shaky hand-eye coordination. Brand loyalty wobbles here; there's an outfit called Weed that makes...

Author: /time Magazine | Title: Geared to The Max | 9/6/1993 | See Source »

...Velazquez's long chamber. And yet, once you have figured out its setup, seen that the window with its blurred blaze of wintry light is actually a reflection in the mirror, the sense of spatial enigma drops away. You are left with a plain rendition in rather liquid paint of a girl in a red cardigan and an artist in a mustard- colored shirt. The Velazquez references sink back, as they are meant to do, into the matrix of observed reality...

Author: /time Magazine | Title: Art: Fairfield Porter: Yankee Against the Grain | 7/12/1993 | See Source »

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