Search Details

Word: listen (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

CENTRAL AMERICA AND PANAMA. Guatemala, El Salvador, Honduras, Nicaragua, Costa Rica and Panama bring together a handsome exhibition of contemporary paintings and colorful folk art. For 25?, fairgoers can sip Central American coffee and listen to a Latin rhythm combo in an open-air patio...

Author: /time Magazine | Title: The New York Fair: Aug. 14, 1964 | 8/14/1964 | See Source »

...unemployment rate among Negro teen-agers is 40%. These youths are the despair of Harlem, for they are, in a sense, living proof of its failure. "Look at those damned kids," snapped a Negro man as packs of teenagers ran wild last week. "They won't listen to nobody. They won't listen to no damned thing...

Author: /time Magazine | Title: Nation: No Place Like Home | 7/31/1964 | See Source »

...Gaulle press conference has been described as a series of answers to which reporters are supposed to think up the questions. Even when the presidential monologue fails to offer any new "answers," the world has learned to listen. De Gaulle's latest appearance before the assembled press at the Elysée Palace, his first in six months, was as usual full of imperious generalities, lofty self-justification, and barbs for friend and foe. Since De Gaulle wears history well, and knows it, the occasion also offered some fairly startling historical silhouettes...

Author: /time Magazine | Title: France: The Prophet Heard From | 7/31/1964 | See Source »

...that's their festival." And although most of what one hears of Newport is record crowds and jammed facilities, the Festival is more than a series of concerts; it, too, has this sense of participation that Seeger noted in Ireland. The people who come to Newport come to listen, but they also come to play, to sing, and most of all to learn...

Author: By Albert B. Crenshaw and Donal F. Holway, S | Title: Newport Folk Festival: Participation for All | 7/28/1964 | See Source »

...they do learn; trading ideas and styles with each other or watching and listening at the workshops each morning and afternoon. These workshops, a phenomenon peculiar to folk music, provide anyone who is interested with a chance to listen to their favorite people play and explain their individual styles and techniques. The workshops are of every conceivable kind--blues, topical songs, the autoharp, you name it. And for many, they provide the main attraction of Newport...

Author: By Albert B. Crenshaw and Donal F. Holway, S | Title: Newport Folk Festival: Participation for All | 7/28/1964 | See Source »

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