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...listen hard enough, M83’s new album sparkles a little darker than their last, a sound forged from a glaze of tragedy and a dusting of sadism. Before The Dawn Heals Us, the band’s follow-up to the 2003 underground hit Dead Cities, Red Seas & Lost Ghosts, should send a shudder of excitement through an ever-growing audience hungry for electronica with a heart. Once a two-man collaboration, M83 has been trimmed down to just Anthony Gonzalez, a burgeoning artist with an ear for the perfect emotive beat and an eye for innovation...

Author: By Adam C. Estes, CRIMSON STAFF WRITER | Title: CD Review | 2/11/2005 | See Source »

...does leave some breathing room, though. The precious M83 of Dead Cities survives in “Farewell/Goodbye,” a soothing scoop of inspiration á la Sigur Rós. And though even the quiet songs of Before the Dawn can be a stressful listen, the album is mesmerizingly and seamlessly stitched together. Paralleling the band’s own de- and reconstruction, Before The Dawn will cut open your heart with a Casio keyboard, sew it back together and still leave you looking forward to the sunrise...

Author: By Adam C. Estes, CRIMSON STAFF WRITER | Title: CD Review | 2/11/2005 | See Source »

Campus-wide discussion is further reinforced by the debate-style format of “Globalization and Its Critics,” which is a refreshing and engaging change from sit-and-listen style lectures that tend to dominate college campuses. Occasional class-wide and professor-versus-professor debates are often a highlight of other classes at Harvard, and we encourage more courses to use this set up, at least occasionally. Such classes, if done right, could be a template for the “Harvard College Courses” proposed by the Harvard College Curricular Review. These courses...

Author: By The Crimson Staff, | Title: Defending Globalization (The Class) | 2/11/2005 | See Source »

...more thorough listen to the production on this album quickly banishes the need for any comparisons. The tape is saturated with a woozy, beautiful wall of sound—lo-fi, to be sure—that’s all Grizzly Bear’s own. “There’s a lot of sort of hissing and background noise [on Horn of Plenty] sort of just because I wasn’t pro at it,” Droste says. “I ended up just sort of keeping it.” The album...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: Grizzly Bear Feeds on Psych-Folk | 2/11/2005 | See Source »

...gospel after Behrendt offered Tuccillo and her female co-workers relationship advice at a writers’ meeting. Behrendt told one of the show’s writers that the man whose behavior she was trying to decipher was really as clear as she was dense: “Listen, it sounds like he’s just not that into you.” A phenomenon was born...

Author: By Elizabeth W. Green, CRIMSON STAFF WRITER | Title: Liberated or Just Lame? | 2/10/2005 | See Source »

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