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...would later come to America and revolutionize ballet with the founding of the School of American Ballet and the New York City Ballet and a style of movement totally new neo-classical, despite its Imperial roots. This one man would transform American dance forever.The symposium features a starry list of illustrious guest speakers, panelists, and moderators that includes Joan Acocella, staff writer for The New Yorker; Anna Kisselgoff, former chief dance critic at the New York Times; former New York City Ballet dancer Toni Bentley; and current Boston Ballet director Mikko Nissinen, as well as Harvard faculty and visiting professors...
...much for that. In case you were wondering, Harvard and MIT have been tied at 41 varsity sports, though Harvard's are all Division I, while MIT's are not. For the insatiably curious among you, we've got Harvard's full list, after the jump...
...conceived at British universities—is in need of an extensive reevaluation.According to the Report on Harvard House Renewal, which College Dean Evelynn M. Hammonds released to the public last Tuesday, the SCR is an “outdated” and disconnected component of House life.Topping the list of 19 proposed recommendations in the report is resolving why the SCR “is not working well for current students and faculty.”Undergraduates, resident tutors, House Masters, and SCR members themselves echoed similar sentiments, expressing the need to make the SCR more relevant to undergraduates...
Where there’s email, there’s spam. With a plethora of list-servs at their fingertips, Harvard students have gotten pretty adept at sending out provocative, enticing, and downright ludicrous statements in order to pump up attendance for whatever a cappella jam/dance show/charity event/speakers’ panel/massive orgy that is going on at the moment. It's all spam to FlyBy. But, you know what they say: one man's trash is another man's treasure. So here are some of the most weird, funny, and heartbreaking spam excerpts that FlyBy found in its recent...
...fact that we live under a constant barrage of information; the final explores the ramifications of surveillance. Photographs of people who have walked through the exhibition appear on the white bars, as the system not only plays back the voices of previous visitors, but also reads aloud a list of phone numbers and addresses compiled from a database of their names. As a result, though the third movement is an artistic representation of surveillance, its existence and continuous innovation rely on the presence of the visitors themselves.“Technology allows people to interact with artifacts...