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Word: liszt (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...From Liszt to Lehar. Frederick Loewe grew up in a musical-comedy world. His father, Edmund Loewe, a Vienna-born operetta tenor, was the first Prince Danilo in the Berlin production of Franz Lehar's The Merry Widow, the Fair Lady of its day, was also Berlin's first Chocolate Soldier. Fritz's mother Rosa was the daughter of a Viennese Baumeister (builder) and a sometime actress who used lipstick and cigarettes in a never-never age when young ladies only pinched their cheeks for color, also added color to her life with a swift and exotic imagination...

Author: /time Magazine | Title: Show Business: THE ROAD | 11/14/1960 | See Source »

Hailed as "the new Liszt" at 19, Michelangeli has toured erratically and temperamentally, but today, at 40, is known chiefiy among other leading pianists. Perhaps his most important work: his year-round classes for hand-picked students from all over the world. At his summer home in Arezzo near Florence last week, Michelangeli was presiding over his latest international class of 34, enforcing iron discipline but treating musical problems with immense patience. He can dismiss a student at a moment's notice if he fails to show the "talent and good will"; yet he never takes fees from those...

Author: /time Magazine | Title: Music: Fish in Deep Waters | 9/19/1960 | See Source »

...would have suffered, but youngsters, accustomed to getting missile data on the backs of cereal boxes, would have thrived on it. A more serious flaw is the film's musical score. It is not as objectionably cute as that of Water Birds, in which whooping cranes mated to Liszt's Second Hungarian Rhapsody, but it is bad enough. Presumably it is supposed to hype up interest, but jaguars are too accomplished at scene stealing to need help from massed violins...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 22, 1960 | 8/22/1960 | See Source »

Song Without End (William Goetz; Columbia) records two noteworthy advances over Hollywood's customary great-musician gassers. The first must have caused mutterings in Beverly Hills: the film, although it concerns Franz Liszt, is not called The Franz Liszt Story. The second is that Dirk Bogarde, who plays the 19th century pianist-composer, has learned to waggle his fingers in convincing imitation of a virtuoso in full cadenza. The innovation is not negligible; it eliminates that hoary sham in which the cameraman shoots from behind the piano while the actor at the keyboard moves his arms up and down...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 15, 1960 | 8/15/1960 | See Source »

After Kozlov put in a plug for peaceful coexistence and confirmed that U-2 Pilot Francis Powers would be given a public trial, the three strolled to the drawing room to listen to a visiting celebrity, Pianist Van Cliburn. As Cliburn launched into Liszt's Twelfth Rhapsody, Mikoyan put a fatherly hand on the shoulder of U.S. Ambassador Llewellyn Thompson's daughter Sherry. When Cliburn swung into some lively Russian songs, Mikoyan joined in the chorus...

Author: /time Magazine | Title: Foreign News: Halfway Coexistence | 7/18/1960 | See Source »

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