Word: liszt
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Dates: during 1960-1969
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...need not have done so. His flawless technique and singing interpretative style would have been enough to rank him with any of his contemporaries in the safe world of traditional concert life. But while Zukofsky can, and does, play the classics, he sees himself as a latter-day Liszt, introducing the music of his own time, chronicling it and, since he is a composer himself, writing it as well...
...spelling out the master's name in a recurring cantus firmus: B flat, A, C, H (the German notation for B natural). Used by Bach himself in The Art of Fugue, the motif is a traditional tribute that has been paid by composers as diverse as Schumann, Liszt and Webern...
Like the reigning romantic heroes of mid-19th century musical Europe, Chopin and Liszt, New Orleans-born Louis Moreau Gottschalk (1829-69) had sex appeal aplenty. As a Wunderkind pianist-composer in the Paris salons, as a lion on tour in the U.S., the West Indies and Latin America, he dazzled the ladies with his pink-lemonade piano pieces and thrilled them with his frail, aristocratic good looks and his saturnine, bedroomy eyelids. One panting female, so the story goes, even swooped down upon him at the end of a recital, picked him up in her arms and made...
...Liszt's Fifth by Beethoven. In his concert days, when he was not singing along, Gould liked to conduct himself with whichever hand he could free at any moment. So it is not surprising that he has finally got around to Beethoven's Fifth Symphony. The piano transcription was written by Keyboard Demon Franz Liszt, meaning that both hands are too busy for shenanigans. Gould plays it in respectful dedication to both Liszt and Beethoven. The Fifth is largely free of Liszt's frequent pianistic bombastics and remarkably faithful to the original-save for an occasional missing...
BUSONI: CONCERTO FOR PIANO, ORCHESTRA AND MALE CHORUS (Angel; 2 LPs). A first recording of a huge, seldom heard work that dates in time to 1904 and in style to a still earlier romantic era. Ferruccio Busoni was a pianist in the tradition of Liszt. He was a teacher who boasted disciples rather than pupils (among them, Kurt Weill) and he was also a composer of grandiose notions and mixed talents, which are illuminated by English Pianist John Ogdon and the Royal Philharmonic Orchestra in this 70-minute work The introductory movement seems to be all stately facade, but once...