Word: liszt
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...fidelity to the score and a desire that his playing call attention only to the music, never to itself, he was also a direct link to the pianistic tradition of the 19th century; when audiences heard Rubinstein perform, they were listening to a man born six months after Liszt died. No wonder Violinist Isaac Stern last week called Rubinstein "part of the centrality of music in our time...
...program, however, was performed by the visiting Warsaw Philharmonic. At Tanglewood, the Boston Symphony has responsibly programmed two new works it commissioned for its centennial last year. And at the Mann Music Center in Philadelphia, the Philadelphia Orchestra performed a piano concerto believed to have been written by Franz Liszt, and orchestrated by Tchaikovsky...
Such devotion was a bulwark for both of them against an ungrateful world. Old Liszt swooped down occasionally to inflame Cosima's feelings of guilt. Nietzsche betrayed the cause with attacks on Wagnerian aesthetics. King Ludwig offered ardent support one moment and retreated into incipient madness the next; reports reached the Wagners that he went in and out of his palaces only by the windows and once ordered dinner for twelve, then sat down alone after bowing to the empty seats. Weary and overextended, Wagner toyed with emigrating to the U.S. on the condition that the American faithful would...
...accused, a tall, impeccably tailored man with ramrod-straight posture and austere mien, is a member of the Danish branch of an old and distinguished German family. Among his ancestors: Conductor Hans von Bülow, husband of Franz Liszt's daughter. Sent to England during World War II, Von Bülow studied law at Cambridge. His reputation as a bright barrister attracted Oil Billionaire J. Paul Getty, who made him a chief aide. Getty called him "an extra right arm" and said he had "a rapier-quick mind and a penchant for hard work...
...French composers, who combines a brilliant mathematical mind with an expert musical ear, Boulez has been the chief theoretician of the postwar serialist movement. During his tenure as music director of the New York Philharmonic from 1971 to 1977, he introduced audiences to unfamiliar repertory by familiar composers like Liszt, and startled them with lucid, penetrating readings of standards like Debussy's La Mer. Under his baton the orchestra reached a level of technical precision that it had lacked for years under his predecessor, Leonard Bernstein. From 1976 to 1980, Boulez presided over the controversial Patrice Chéreau...