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Like the reigning romantic heroes of mid-19th century musical Europe, Chopin and Liszt, New Orleans-born Louis Moreau Gottschalk (1829-69) had sex appeal aplenty. As a Wunderkind pianist-composer in the Paris salons, as a lion on tour in the U.S., the West Indies and Latin America, he dazzled the ladies with his pink-lemonade piano pieces and thrilled them with his frail, aristocratic good looks and his saturnine, bedroomy eyelids. One panting female, so the story goes, even swooped down upon him at the end of a recital, picked him up in her arms and made...

Author: /time Magazine | Title: Composers: A Real Pioneer | 6/14/1968 | See Source »

...Liszt's Fifth by Beethoven. In his concert days, when he was not singing along, Gould liked to conduct himself with whichever hand he could free at any moment. So it is not surprising that he has finally got around to Beethoven's Fifth Symphony. The piano transcription was written by Keyboard Demon Franz Liszt, meaning that both hands are too busy for shenanigans. Gould plays it in respectful dedication to both Liszt and Beethoven. The Fifth is largely free of Liszt's frequent pianistic bombastics and remarkably faithful to the original-save for an occasional missing...

Author: /time Magazine | Title: Recordings: Good as Gould | 5/3/1968 | See Source »

BUSONI: CONCERTO FOR PIANO, ORCHESTRA AND MALE CHORUS (Angel; 2 LPs). A first recording of a huge, seldom heard work that dates in time to 1904 and in style to a still earlier romantic era. Ferruccio Busoni was a pianist in the tradition of Liszt. He was a teacher who boasted disciples rather than pupils (among them, Kurt Weill) and he was also a composer of grandiose notions and mixed talents, which are illuminated by English Pianist John Ogdon and the Royal Philharmonic Orchestra in this 70-minute work The introductory movement seems to be all stately facade, but once...

Author: /time Magazine | Title: Television: Apr. 5, 1968 | 4/5/1968 | See Source »

...group. His plat form manner is nononsense, but at the peak of his form he stirs poetry, fire and steel into whatever he plays. At a time when most younger American per formers make their loudest noise in the flashier side of the repertory -Prokofiev, Bartok, Liszt and the more extroverted Chopin - Graffman has matured into a musician able to challenge Europe's best in the more substantial classical and early romantic repertory...

Author: /time Magazine | Title: Pianists: The Busy Eclectic | 12/29/1967 | See Source »

...four at the time, but her reaction was as perspicacious as it was prophetic. Granados, who turned out a substantial body of operas, songs and other kinds of music, was above all a composer for the piano. He blended an instinctive Spanish flavor with French impressionism and the Chopin-Liszt tradition to produce a heady and original style, flowing with romantic feeling yet tempered and refined by elegant workmanship. His six-part suite, Goyescas, which powerfully evokes the gaudy, sensual world of Goya's paintings and tapestries, stands with Albe-niz' Iberia at the pinnacle of the Spanish...

Author: /time Magazine | Title: Pianists: In the Blood | 12/15/1967 | See Source »

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