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Weaver is a sybaritic, wholly citified man who loves Broadway plays, savors his stereophonic collection of Liszt and Chopin piano concertos, relishes Italian food (favorite is shrimp marinara), sips twelve-year-old bourbon when he works at home at night. He dresses in banker-conservative clothing, favors dark suits and dark Homburgs at the office, a plum-colored smoking jacket and black leather slippers at home. When he became HHFA director, Weaver promptly moved into an urban-renewed Washington apartment ("I wanted to put my money where my mouth was"), but within a year put his money into more luxurious...

Author: /time Magazine | Title: Cities: Hope for the Heart | 3/4/1966 | See Source »

Back to Mozart. As a stripling, Rubinstein often lived at the mercy of impresarios who wanted him to perform only the crowd pleasers?Liszt, Tchaikovsky, Rachmaninoff. "They never listened to me," he growls, "just to the box office." Now, like an aging Romeo, he has "come back to Mozart on my knees." That alone is quite an achievement. "You remember what Schnabel said about Mozart sonatas?" recalls Rubinstein. " 'Too easy for children, too difficult for artists.' " So it is: Mozart demands a fidelity to rhythm that few performers can ever master. It is characteristic of Rubinstein's magic that even...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

...World side, his pianistic pedigree dates back to some of the great masters and to the very origins of the instrument. Violinist Josef Joachim, Brahms's great friend, was Rubinstein's mentor. Rubinstein got his piano training from Karl Heinrich Earth, who was taught by the man (Franz Liszt), who was taught by the man (Karl Czerny), who was taught by the man?Ludwig van Beethoven...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

With the arrival of Chopin and Liszt, romanticism came to full flower. Chopin, who at the peak of his career weighed only 97 Ibs., was an artist of delicate expression: he taught the piano to breathe. Liszt taught it to belch fire. A saturnine dandy with flowing shoulder-length blond hair and a dress coat aglitter with medals, he combined virtuosity with showmanship, worked himself into such a lather that he would sometimes faint. Women hurled their jewels on the stage and fought over the green doeskin gloves that he deliberately left on the piano...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

Pinkie in the Brandy. Among Liszt's most notable heirs were Paderewski and Russia's Vladimir de Pachmann...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

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