Word: liszt
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Sons of Richard Wagner's only son, Siegfried, who was born to Wagner's second wife, Cosima, illegitimate daughter of Composer Franz Liszt, who divorced Conductor Hans von Bülow to marry Wagner. For Coca's first birthday after the marriage, Wagner composed his famed Siegfried Idyll, based on themes from his opera Siegfried...
...Piano from Mozart to Bartok (Beveridge Webster; Perspective). The house of Steinway's 100th anniversary this year gives a chance to lump a music-hall variety program (Mozart, Beethoven, Schubert, Weber, Schumann, Mendelssohn, Chopin, Liszt, Brahms, Debussy, Bartok) on one disk. Versatile Pianist Webster runs the gamut without stumbling and with considerable brilliance...
...Slonimsky has catalogued his findings in a 30-page "Invecticon," listing the strongest and most piquant critical epithets alphabetically, with composers to whom they have been applied. Samples: advanced cat music (Wagner), belly-rumbling (Bela Bartok), bestial outcries (Alban Berg), bleary-eyed paresis (Tchaikovsky), chaos (Bartok, Berg, Berlioz, Brahms, Liszt, Mussorgsky, Prokofiev, Scriabin, Strauss, Wagner), intoxicated woodpecker (Edgar Varèse), lewd caterwauling (Wagner), mass-snoring (Bartok), nasty little noise (Debussy), spring fever in a zoo (Stravinsky...
...unique feature of the audition was the premiere of two movements from a piano concerto composed by Joel Mandelbaum for the soloist, Ann Besser. The concerto is written in the same key (A) as two others performed on the program, the Liszt and the Schuman. And though Mr. Mandelbaum does not wholly shun the contemporary idiom, in spirit his work is much like those two showpieces of the Romantic era. Miss Besser's performance, by its technical perfection as well as its penetration of the music showed the work off to excellent advantage...
...manner: "I have always been in revolt." Her beloved cantor of Leipzig, Bach-and his contemporaries-had vanished from the piano repertory. Instead, performers who believed that the old master had no notion of the keyboard's capabilities served up a hybrid fare under the names of Bach-Liszt, Bach-Tausig, or Bach-Bülow. "They put Bach, Mozart, Handel back on the loom," Landowska buzzed in her book Music of the Past. "And after calumniating the greatest masterpieces, they dare couple their obscure names with those of our supreme masters . . . What would sculptors say if a mason...