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Other noteworthy new releases: Beethoven: Leonore No. 3, Egmont and Coriolanus Overtures (Joseph Keilberth conducting the Berlin Philharmonic and Bamberg Symphony Orchestras; Capitol-Telefunken); Liszt: Spanish Rhapsody (Miklos Schwalb; Academy); Mozart: Requiem (Hilde Gueden, Rosette Anday, Julius Patzak, Josef Greindl, Salzburg Dome Choir; Mozarteum Orchestra conducted by Josef Messner; Remington); Rimsky-Korsakov: Scheherazade (Minneapolis Symphony Orchestra conducted by Antal Dorati; Mercury) ; Schubert: A Song Recital (Herman Schey, bass-baritone; Poly music); Tchaikovsky: "Pathétique" Symphony (Philadelphia Orchestra conducted by Eugene Ormandy...

Author: /time Magazine | Title: Music: New Records, Sep. 29, 1952 | 9/29/1952 | See Source »

Last Thursday, Eugene List provided the musical climax of the evening by his performance of the Liszt E Flat Piano Concerto, a work which he will repeat at tonight's concert. Mr. List is a young man who can mold an expressive lyrical line out of a passage which many others would use merely to display fast finger-work. The length of the concerto left him no time for encores, though the audience recalled him repeatedly. I for one would rather have heard another selection by him than such encore offerings of Fiedler's as Plink, Plank, Plunk...

Author: By Alexander Gelley, | Title: Boston Pops | 5/3/1952 | See Source »

...pieces to his musical friends. Rimsky-Korsakov promptly added several variations; other composer friends chipped in too, and before long there were 16 paraphrases. All were written for piano duet, the lower part for a skilled player, the upper for two fingers. In 1879, when the collection was published, Liszt got a copy, and added a paraphrase...

Author: /time Magazine | Title: Music: Variations on Two Fingers | 12/10/1951 | See Source »

...night last week began with a fast, explosive samba, went on to a sentimental arrangement of Kurt Weill's September Song and a plunky version of I'm Looking Over a Four-Leaf Clover. The final numbers: a medley of Gershwin tunes and a swing arrangement of Liszt's Hungarian Rhapsody No. 2. Says Maxwell: "I play Liszt as I think Liszt would play if he were alive today." The supper-club crowd hushed down to devoted silence for Maxwell's 20-minute performance, even when their glasses stood empty...

Author: /time Magazine | Title: Music: Swinging the Harp | 9/10/1951 | See Source »

Rhapsody from Hunger (y). Spike Jones and his irreverent City Slickers (Victor) pull the tail of several old war horses, including Liszt's Hungarian Rhapsody No. 2, with the usual catastrophic results...

Author: /time Magazine | Title: Music: New Pop Records, Feb. 12, 1951 | 2/12/1951 | See Source »

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