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Whatever the original idea, the grace and contrapuntal vigor of the concertos have delighted musicians ever since. Some famous performances: Chopin, playing with Liszt and Ferdinand Hiller; Clara Wieck (later Schumann) with Felix Mendelssohn and Ignaz Moscheles...

Author: /time Magazine | Title: Music: A Family Affair | 12/4/1950 | See Source »

...great night, the glittering audience found six pianos on the stage. First Liszt, nostrils quivering and long locks tossing,* thundered and rippled an introduction and the theme from I Puritani. Then the pianistically mannered Thalberg played his variation; Liszt provided a transition to the offering of Pixis; Herz came next, then Czerny, whose knuckle-cracking exercises have been the nemesis of piano students for the last hundred years. Liszt, from his piano, interjected a Fuocoso molto energico; the slender Chopin added an exquisite largo. At last, in his finale, Liszt wittily and skillfully parodied the styles of the others-except...

Author: /time Magazine | Title: Music: Six-Layer Cake | 10/30/1950 | See Source »

This week Hexameron had one of its few hearings since Liszt's death in 1886. In London's His Majesty's Theater, brilliant Pianist Claudio Arrau (a onetime pupil of Liszt's pupil, Martin Krause) marched alone to the single piano in center stage. Then, playing with mixed high purpose and good humor, heaving and hammering, sighing and scintillating, he re-created for a moment some of the atmosphere of the Princess Belgiojoso's 1837 soiree...

Author: /time Magazine | Title: Music: Six-Layer Cake | 10/30/1950 | See Source »

...Liszt was the father of keyboard theatrics. Before his time, pianists usually played facing the orchestra with their backs to the audience or vice versa. Liszt turned the piano sideways to reveal his profile. One of his acts: in his debut in St. Petersburg, one chronicler reports, Liszt, "covered with clanking orders . . . mounted the platform, and, pulling his dogskin gloves from his shapely white hands, tossed them carelessly on the floor...

Author: /time Magazine | Title: Music: Six-Layer Cake | 10/30/1950 | See Source »

...professional musical toy or 2) a professional musical instrument? Union banjo and guitar players, who have been complaining of losing jobs to non-union "uke" players, plunked for No. 2. Last week, after pondering the complaints and listening to a demonstration uke performance of Liszt's Liebestraum which struck them as professionally impressive, the executive board of Local 802 made its decision. Henceforth, all practitioners of the uke in 802's jurisdiction who appear commercially on television, radio or other programs will have to hold union cards...

Author: /time Magazine | Title: Music: The Professional Uke | 10/30/1950 | See Source »

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