Word: liszt
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...young girls to swoon to still work. They date all the way back through New Kids, the Jackson Five and the Monkees to the Beatles, who in their earliest, cuddliest incarnation were the progenitors of this sort of thing--if you don't count Frank Sinatra or Franz Liszt or probably some medieval troubadour no one remembers...
...Liszt sonata was another matter. Though not obvious at first, Ohlsson's approach to its many challenges was informed by a tight sense of musical architecture: emerging from all the kleptomaniacal rubati and enigmatic autofermatas was a storyteller's confidence. His fingerings were uncommon, his attack was lively bordering on sadistic, and he seemed to be thinking orchestrally all the way. Here if anywhere, "large and in charge" was the apt phrase--the big man put a whole register in the bass out of tune. Blending the bombastic and the priestly, Ohlsson made the 1854 warhorse sound fresh...
...greatest American pianist of the century when time ran out on William Kapell. Before he died in a 1953 plane crash at 31, he had everything: looks, charisma, unrivaled musicality, technique to burn. Now his complete recordings--concertos by Beethoven, Prokofiev and Rachmaninoff, solos by Chopin, Debussy and Liszt, duet performances with Jascha Heifetz and William Primrose--have been reissued as a nine-disk boxed set, allowing a new generation to be dazzled by his recreative genius. Best of all is a live broadcast of the Copland piano sonata that seethes with passion and force. Hear it and marvel...
...playing this piece for twice his age. But what made the entire performance of "Pictures" truly great, as good as the golden Benno Moiseiwitsch recording, was his huge sound at "The Great Gate of Kiev." The audience was completely under his spell. And his choice of encore, the Schumann-Liszt "Widmung," sent everyone home smiling...
...these twelve songs in a few weeks in May--have you finished your term papers? The duo's singing and playing shared a similar exuberance. Upshaw's fierce glares and terror-filled voice in "Waldgespruch" (Wood Dialogue) were playfully evocative of the Schubert Erlkoening, while Goode evoked the Liszt "Wild Jagd" transcendental etude when a line of Eichendorff's mentioned "ein lustiges Jagd," a merry hunt. The music of many of the songs demonstrated Schumann's lifelong obsession with Beethoven's "An die ferne Geliebte," the first song-cycle ever...