Word: lit
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Dates: during 2000-2009
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...Refuge, tel: (223) 223 3799. It has no street address, so taxi drivers might have trouble finding it. So listen out for the chocolate-smooth, Cuban rumba drifting out from the rutted lanes, a stone's throw from the Rue N'Tomicorobougou. At La Refuge, in a courtyard lit by a lone fluorescent strip, middle-aged couples dance beneath a huge Sahelian moon. Neighborhood goats wander past. And a Malian band, replete with tom-tom, lilting flute and wheelchair-bound keyboardist, will likely be crooning in Portuguese about "Comandante Che Guevara...
Sexy pool waterfalls, illuminated by a rainbow of colors, separate the new super pools from the Clark Kent variety. Some of these waterfalls and glitzy fountains rise out of elaborate deck sculptures. They are lit by multicolored lights run by wireless remote...
...Refuge, tel: (223) 223 3799. It has no street address, so taxi drivers might have trouble finding it. Listen out for the chocolate-smooth Cuban rumba drifting out from the rutted lanes, a stone's throw from the Rue N'Tomicorobougou. At La Refuge, in a courtyard lit by a lone fluorescent strip, middle-aged couples dance beneath a huge Sahelian moon. Neighborhood goats wander past. And a Malian band, replete with tom-tom, lilting flute and wheelchair-using keyboardist, will likely be crooning in Portuguese about "Comandante Che Guevara." "Music is important," says local veteran musician Amadou Bagayoko. "Every...
...when ?It?s My Problem? went off the air, Phyllis produced a lit-chat show, ?Author Meets the Critics,? for New York TV station WOR. The following year, she hooked up with Arlene Francis for the daily hour-long show, ?Home.? Arlene was already a TV celebrity as a panelist on ?What?s My Line.? But she had been on Broadway since 1936, when she appeared in the original production of Clare Boothe Luce?s ?The Women?; and in 1945 she starred briefly in the comedy ?The French Touch? - sets designed by George Jenkins...
...assortment of high-caliber weapons. Doom 3 tells the same story but this time treats it with surprisingly artistic tenderness. Carmack's light engine allows the game's designers to paint the story the way a film director would, with light and shadow, like a noir mystery. Scenes are lit by broken light fixtures, flickering and swinging, or cut up by the shadow of a spinning overhead fan. id's designers have worked wonders, despite the newness of the technology. "It's like making a movie while you're inventing the camera," says Tim Willits, the game's lead designer...