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Princeton's offensive game, with its depth on the front line, will give the defense its biggest challenge yet. The Tigers have lit up their last six opponents, tallying 33 goals on the season, just one more goal than the Crimson...

Author: By Jennie L. Sullivan, CRIMSON STAFF WRITER | Title: W. Soccer Set to Pounce on Princeton in Ivy Showdown | 10/22/1999 | See Source »

...broadway and musical comedy were all but synonymous. Of late, though, the Great White Way has become a neon-lit recycling bin for tributes (Fosse), revivals (Annie Get Your Gun, Cabaret), retread movies (Footloose) and British imports that were creatively dead on arrival (any Andrew Lloyd Webber show). Yes, Stephen Sondheim still strikes sparks, while a few up-and-comers, especially Adam Guettel (Floyd Collins), show signs of vibrant life. But it's long past time for something really fresh. Contact, the exhilarating dance play by choreographer Susan Stroman and writer John Weidman that opened last week at Manhattan...

Author: /time Magazine | Title: Dance: We Have Contact | 10/18/1999 | See Source »

...institution does have a heart. [President] Neil [L. Rudenstine} and Harvey [V. Fineberg '67] care a great deal about this and this is why a fire got lit under this...

Author: By M. DOUGLAS Omalley, CRIMSON STAFF WRITER | Title: University, Union Ink New Labor Deal | 10/13/1999 | See Source »

...63rd minute, freshman forward Beth Totman--who has been a spectacular playmaker all season--lit up the scoreboard for the Crimson...

Author: By Richard A. Perez, CRIMSON STAFF WRITER | Title: W. Soccer Clips Eagles' Wings | 10/13/1999 | See Source »

...again, intercut with other shots of the avenging father contemplating his search. An uninterrupted conversation between Wilson and Elaine (Lesley Ann Warren), Jenny's former acting instructor and friend, is simultaneously played out over several disparate locations (his barren hotel room, her cozy residence, a classy restaurant, a low lit dock). Such scenes are more accurate depictions of Wilson's mentality and fantasies than his interactions with others or even reality itself. Into these prisms of then and now, Soderbergh splices actual footage of actor Stamp in his role as a young British thief in 1967's Poor Cow. Though...

Author: By Diane W. Lewis, CRIMSON STAFF WRITER | Title: Soderbergh's Sweet Revenge | 10/8/1999 | See Source »

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