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...signature red-and-yellow electric sign. You have to go beyond Mass. Ave to its second address: www.hongkongharvard.com. Having landed its corner of the World Wide Web early last fall, the Kong Web site is a surreal vision of elegance and class. In place of shady clientele and garishly-lit tables are a handful of carefree twenty-somethings sipping scorpion bowls in soft candlelight. “It’s definitely sexy,” says Web designer Darrin F. Samaha, creator of the restaurant’s cyber identity. His firm, Blue Coda, counts the Harvard Square Business...
...costly error that scored two runs. The following two batters, junior Danielle Kerper and freshmen Jessica Pledger, each drove in a run before Winkeller capped off the inning with her three run blast. The bottom of the fourth inning was more of the same, as the Harvard offense lit up the Crusaders for five more runs. When Holy Cross failed to score in the top of the fifth the game was called short. “We just talked about stringing some this together, coming out strong, making some adjustments, and putting the pressure on them offensively...
...usually the case on the Mainstage, the technical elements of “Lucie Cabrol” are lovely. The lighting, designed by Joshua Randall, casts much of the play in a dimly-lit zone, with some nice effects (the red light spilling from a wood stove, for example) that occasionally verge into gimmickry (the coffin-shaped spotlight that Lucie lies in, for example...
...uncomfortable costumes,” Poehler says in a phone interview with The Crimson. She recalls one in particular. “It’s a very tight Lycra outfit with lots of jewels and feathers and stuff.” She adds that it “lit up like a Christmas tree.”But for Poehler, one of the comedy world’s biggest rising stars, that kind of wild exuberance and excess is nothing new.BRIDE AND GROOM“Blades of Glory,” out March 30, features “Saturday...
Everyone and their Hist and Lit tutor has a theory of when childhood ends—or really, when theirs ended. Puberty? Columbine? 9/11? But whatever the endpoint, hardly anyone disputes the premise: There is childhood, and then it’s over. The ending is generally seen as a premature and inauspicious development.The tragedy of childhood’s end is at the crux of “Ant Farm: And Other Desperate Situations,” the debut collection of comedic shorts by Simon Rich ’06–’07. From the second...