Word: lithographer
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Dates: during 1950-1959
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There are abstractionists in the show as well. Their contributions to the print-making world have been slight, as the few works they show demonstrate. The best of the group is a reserved color lithograph by Andrew Stasik where a large mottled rectangular form slanted across the page elegantly balances the white of the paper surrounding it. As for the remaining few abstract pieces, they seem to be imitating avant-garde paintings while suffering from their inability to employ the tactile effects of pigment...
...Thursday, 1929, the day the stock market collapsed, Wall Street was a scene of chaos, and many a suddenly paupered stockholder felt that the end of the world had come. One among them had a different thought; he dashed off to a friend's studio to make a lithograph of the disastrous scene: the great, gloomy canyon, the dashing crowds and distraught faces. That lithograph is now in the Philadelphia Museum, and other pictures by James N. Rosenberg hang in no fewer than 20 U.S. museums. Yet Rosenberg has always remained an amateur in spirit. He paints...
Munch was a profound visionary and his Nouveauesque attempts at decorative simplification almost hurt his work. At his best, as he is in his famous print, Geschrei, and the marvelous tone modulations of the lithograph, Attraction, he presents a luminous picture of man's subconscious fears and desires...
There are certain works of art, like the two portraits of Baudelaire in the exhibition, (a lithograph by Rouault and an etching by Manet), which sum up the pleasure of collecting. Perhaps motives of sentiment lie behind these choices as well as aesthetic discretion. This is perfectly legitimate. Rouault and Les Fleur du Mal strike a rich chord. It is just this sort of thing which lends collecting an added charm...
Puccini once showed a friend a French lithograph of a nude girl pressed against a grated window in Venice. "This," he said, "is the kind of libretto I want for my next opera." Failing in his lifelong search for a girl who combined frailness with sensuality, he built those qualities into a procession of operatic heroines - Manon Lescaut, Mimi in Bohème, Cio-Cio-San in Butterfly, Liù in Turandot. His obsession with swift love followed by swifter death gave his work a narrow emotional range, a failing of which he was conscious. He envied Wagner his heroic...